• PEER audio paper06.04.2021

  Soundscapes as archives

  
  Postcolonial reflections through soundwalk production.

  Af Jacek Smolicki & Candace Campo
• PEER audio paper06.04.2021

  Towards an ethics of listening

  
  Editing and listening to field recordings as methods in postcolonial history writing.

  Af Carla J. Maier
• PEER audio paper06.04.2021

  History as composition

  
  Decolonization and the creation of dialogical narratives.

  Af Lene Asp & Mikkel Meyer

• PEER audio paper06.04.2021

  Play always as if in the presence of a master

  
  Critical examination of piano music through a psychological understanding of the act of performing.

  Af Kent Olofsson & Francisca Skoogh
• PEER article06.04.2021

  Seismograms of a musical work

  
  An investigation of pianists’ independence from the score by comparing their tempo through graphs.

  Af Alisa Yuko Bernhard
• PEER audio paper06.04.2021

  Lost in interpretation

  
  Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel.

  Af Ulf Friberg, Carl Holmgren & Stefan Östersjö

• PEER article06.04.2021

  A chip off the old Block?

  
  Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block.

  Af Inja Stanović & Adam Stanović
• PEER audio paper06.04.2021

  Stewardship to obsolescence and preservation

  
  On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.

  Af Noé Cuéllar & Joseph Kramer
• PEER audio paper06.04.2021

  Leaky knowledge

  
  Reflecting the practice of the medical technique for listening with a stethoscope.

  Af Salomé Voegelin & Mark Peter Wright