Perspective

what we immerse ourselves in

  • review06.11.2014

    Trommernes dunkle rum
    Det nystartede danske label Oede Oe kommer flot fra start med trommeslager Mads Forsbys solo-projekt ILLDJINN, der udforsker et klangligt rum mellem intenst nærvær og spiritistisk flimrende fravær. Rasmus Steffensen har anmeldt.
    By Rasmus Steffensen
  • essay30.10.2014

    Have You Seen The Music?
    Through a reading of four works, this article explores how Simon Steen-Andersen the visual as a communicating and concrete compositional material.
    By Rasmus Holmboe
  • review30.10.2014

    The mediatisation of reality
    The most fascinating thing with Piano Concerto is how the classical genre of the concerto creates the frame, not just for a new piece, but also for our audio-visual reality.
    By Andreas Engström
  • essay30.10.2014

    The Unrepeatable
    Repetition is never just the same thing twice. In the works of Simon Steen-Andersen repetition only appears due to a complex interplay with the unrepeatable.
    By Rune Søchting
  • interview30.10.2014

    I am a composer
    A conversation with Simon Steen-Andersen about living in Berlin; the German cultural tradition; the music's potential and expansion; and about presence and precision.
    By Rasmus Holmboe
  • review29.10.2014

    På lydsporet af den tabte tid
    "På de tre foregående var det den naivistisk legesyge tilstedeværen i øjeblikket, der var i fokus. Anish Music Caravan byder derimod på normadens søgende vandring igennem lyde fra en svunden tid." Jacob Eriksen anmelder Band Ane.
    By Jacob Eriksen