kritik
At være altædende
Jakob Gustaw Winckler anmelder We like We's seneste album 'Next To The Entire All', udgivet på Sonic Pieces i slutningen af 2017.
kritik
Undtagelsen er en broderet frø
Sune Anderberg rapporterer fra November Music, 10.-12. november 2017, Den Bosch
interview
Opgør med privilegietænkningen
Thorbjørn Tønder Hansen er stoppet som leder af SNYK. Ved overgangen til sit nye job som kunstnerisk leder af Ultima Festival i Norge gør han status over 10 års politisk og praktisk arbejde på tværs af musikmiljøerne herhjemme.
kritik
Elektroniske nocturner i skovens dybe ro
Andreo Michaelo Mielczarek anmelder Olga Szymulas electro-opera 'Lapses', Rytmisk Sal, Musikhuset Aarhus, 26. november 2017
interview
Improvisationen åbner musikkens verden
I anledning af, at Komponist Birgitte Alsted har modtaget Carl Nielsen og Anne Marie Carl-Nielsens Legat, har Seismograf talt med hende om hendes musik og karriere, om improvisationen som grundlæggende kompositorisk tilgang til lydenes verden og den digitale teknologis rolle i hendes musik.
review
Gong Tomorrow
Anmeldelse af Neue Vocalsolisten Stuttgart (3.11.17, Koncertkirken) & Copenhagen Piano Trio etcetera (8.11.17, Glyptoteket) under Gong Tomorrow Festival 2017
PEER article
A temple of sonic haecceities
An investigation of the sonic and durational experiences that formed the encounter with three artworks at the museum Dia:Beacon.
PEER article
Beyond matter: object-disoriented sound art
Questioning sound as an ‘exhibited’ artistic object from a conceptual leaning, the article address sound’s subjective inclination as an experience beyond the material object.
PEER article
The im/mediate noise
This paper seeks to explore digital media polemics in relation to the use of sound in ‘algorithmic culture’ discussing two artistic works by the author himself.
PEER audio paper
Collisions
Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.
PEER article
Turntable materialities
This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.
PEER article
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.