review
Gold fever and infernal machines
Simon Løffler’s personality shines through while Niels Lyhne Løkkegaard’s conceptual gold piece rings hollow at Gong Tomorrow.
review
»An opera you need to see twice«
A generational cycle of sexual abuse paired with a clear and lucid score. Last year’s operatic talk of the town was back for one day.
review
The gradual growth of ice crystals
Thinking big suits Icelandic composer Anna Thorvaldsdottir. Andrew Mellor on her works at Njord Biennale 2018.
review
Gong Tomorrow
Anmeldelse af Neue Vocalsolisten Stuttgart (3.11.17, Koncertkirken) & Copenhagen Piano Trio etcetera (8.11.17, Glyptoteket) under Gong Tomorrow Festival 2017
review
Downfall – A journey to the underworld and back again
Andrew Mellor anmelder operaen 'Nedstigning: underverdenen tur-retur', Takkeloftet, 26.9.17 - Musik af Nicolai Worsaae, libretto af Julie Maj Jakobsen.
review
Klang i Tivoli
Andrew Mellor reviews Athelas Sinfonietta, Aavaat Koret/Pierre-André Valade in Tivoli with works by György Ligeti, Niels Rønsholdt, James Black and Per Nørgård.
review
Gong Tomorrow
Andrew Mellor anmelder tre aftner under årets Gong Tomorrow festival.
review
The Fool
Marketed as avant-garde cabaret and playing at the Opera, ‘The Fool’ raised some fundamental questions about staged concerts. Andrew Mellor writes.
review
L’isola della Città
Review of Bent Sørensens tripelkoncert 'L’isola della Città' (Øen i byen) opført af Trio con Brio og DR SymfoniOrkesteret.
review
Sonic Triangulations
Holger Schulze reviews Jochen Bonz' new book "Alltagsklänge" - an exemplary sonic ethnography, where the interpretational research habitus can be "regarded as a core element in an emerging cultural anthropology of sound and of listening".