Turntable materialities

This article argues that as historic avant-gardes made visible the destruction of art, so modified records attempt to make audible the destruction of sound.

Af

Mark Harris

15. November 2017

PEER article

Diagram for invisibility

The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.

Af

Rune Søchting

15. November 2017

PEER article

Tears, fears and flashes

Considering the relationship between interpersonal understanding and propagandist rhetoric, the article speculates on the ethical implications of such a relationship.

Af

Ido Govrin

15. November 2017

PEER audio paper

Origo

This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.

Af

Morten Søndergaard

15. November 2017

PEER audio paper

The audibility of rebellion versus nationalism

Using sounds of political chanting from Turkey, the paper shows how political orientation changes the inflection of chant, reflecting its societal positioning and purpose.

Af

Jeremy Woodruff

15. November 2017

PEER audio paper

How to (re) do(o) things with sounds

In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.

Af

Kevin Logan

15. November 2017

PEER audio paper

Listening and not listening to voices

This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.

Af

Cathy Lane

15. November 2017

kritik

12 timer på G((o))ng Tomorrow

Jakob Gustav Winckler anmelder live-installationen ‘Time is Local’ af Jacob Kirkegaard og WeLikeWe, åbningen af udstillingen ‘Awake’ af Mette Rasmussen og opførelsen af europapremieren på Keiji Hainos værk ‘Miracle’. 4/11 G((o))ng Tomorrow Festival.

Af

Jakob Gustav Winckler

13. november 2017