Feel Yourself Becoming Nature Again
»I love being part of the ritual that heals our forgotten connection to nature, which is the very foundation of our lives.«
»I love being part of the ritual that heals our forgotten connection to nature, which is the very foundation of our lives.«
»Jeg elsker at være en del af ritualet, som heler vores glemte forbindelse til naturen, som er forudsætningen for vores liv.«
»When the gloom returned with renewed force, it was Kjærgaard who, with a roaring guitar, sprawled across the emotional abyss. It was beautiful and brutal.«
»Da tungsindet returnerede med fornyet kraft, var det Kjærgaard, der med larmende guitar lagde sig hen over følelsesafgrunden. Det var smukt og brutalt.«
Som et skævt, krøllet bånd bobler melodierne frem, og de skæve taktslag gentages med en ridset LP’s haltende tempo.
Man kan som lytter ikke stille andet op end at overgive sig til Amalie Dahl og gruppes overbevisende styrkedemonstration.
As a listener, there is nothing to do but surrender to Amalie Dahl and the group’s convincing display of strength.
Damon Albarns Mozart-spin-off »The Magic Flute II« er fyldt med synths og spektakel, men fanger den virkelig operaens essens – eller kun dens æstetik?
Damon Albarn’s Mozart spin-off »The Magic Flute II« is replete with synths and spectacle, but does it truly capture opera’s essence – or merely its aesthetics?
Jenny Wilsons første opera – en bearbejdning af Elfriede Jelineks »Women as Lovers« – kæmper for at finde sin musikalske stemme.
Jenny Wilson’s first opera – an adaptation of Elfriede Jelinek’s »Women as Lovers« – delivers sharp theatricality and biting satire but struggles to find its musical voice.
»Henrivende. Man forlod KoncertKirken lidt højere, gladere og mere legesyg.«