What Do the Mad Want With an Opera House?
OperaHole nevertheless looks like a strong contender to carry on our tradition of playful underground opera.
OperaHole nevertheless looks like a strong contender to carry on our tradition of playful underground opera.
»Eager Buyers« is captivating – even for listeners who don’t usually venture into the electronic sphere.
At Betty Nansen Theatre, Louise Alenius and Elisa Kragerup turn Selma Lagerlöf’s tragic tale into a haunting meditation on sound, silence and longing.
On »BODY« IKI turns the voice inside out and lets technology listen beneath the skin – to the point where body, circuit, and circulation become one.
»Soap Horse displayed remarkable control and a firm grasp of both their sonic universe and their audience. Perhaps all that’s left is to prove they dare to loosen their grip.«
Mesayer’s black-clad universe and Thicket’s bursts of improvised energy merged seamlessly into a community one longed to be part of.
Polish-born Szymon Gąsiorek has done it again – created a cornucopia of an album that both overwhelms and delights.
Bjarke Mogensen makes the Cisterns breathe and thunder in a meditative underground sound space.
Natural sounds, imitations of nature, harmonies, and entire sequences are simply building blocks in her personal experimental lab.
Tungemål dares to experiment without drowning itself out.
It certainly doesn’t break any ambient conventions – but it’s a pleasure to be swept away nonetheless.
»A rare and unique symbiosis arises between voice and double bass – a connection so special that one rarely hears anything quite like it.«