
Gold fever and infernal machines
Simon Løffler’s personality shines through while Niels Lyhne Løkkegaard’s conceptual gold piece rings hollow at Gong Tomorrow.
Simon Løffler’s personality shines through while Niels Lyhne Løkkegaard’s conceptual gold piece rings hollow at Gong Tomorrow.
A generational cycle of sexual abuse paired with a clear and lucid score. Last year’s operatic talk of the town was back for one day.
Four performances of Salvatore Sciarrino’s mysterious ‘Aspern Suite’ wrapped up this year’s Klang Festival. Andrew Mellor reviews Scenatet’s solemn setting of the piece.
Thinking big suits Icelandic composer Anna Thorvaldsdottir. Andrew Mellor on her works at Njord Biennale 2018.
Anmeldelse af Neue Vocalsolisten Stuttgart (3.11.17, Koncertkirken) & Copenhagen Piano Trio etcetera (8.11.17, Glyptoteket) under Gong Tomorrow Festival 2017
Andrew Mellor anmelder operaen 'Nedstigning: underverdenen tur-retur', Takkeloftet, 26.9.17 - Musik af Nicolai Worsaae, libretto af Julie Maj Jakobsen.
Andrew Mellor reviews Athelas Sinfonietta, Aavaat Koret/Pierre-André Valade in Tivoli with works by György Ligeti, Niels Rønsholdt, James Black and Per Nørgård.
Andrew Mellor dropped-in on three concerts at this year’s Figura Festspiele, where almost every piece came with words attached.
Andrew Mellor anmelder tre aftner under årets Gong Tomorrow festival.
Bent Sørensen was the resident composer at Trondheim Chamber Music Festival 2016. Andrew Mellor writes from Norway.
Andreas Engström with a review of this year's Young Nordic Music Days in Aarhus, Denmark.
Andrew Mellor on Peter Bruun's 'The Green Groves' and 'Exodus'.