Peer-reviewed audio paper
The generation of a [multi’vocal] voice
Synthetic voice creation as the promotion of diversity.
Peer-reviewed audio paper
Soundscapes as archives
Postcolonial reflections through soundwalk production.
Peer-reviewed audio paper
Towards an ethics of listening
Editing and listening to field recordings as methods in postcolonial history writing.
Peer-reviewed audio paper
History as composition
Decolonization and the creation of dialogical narratives.
Peer-reviewed audio paper
A fundamental mode of being in the world
Collaborative improvisation as a creative point of departure for studio production.
Peer-reviewed audio paper
Play always as if in the presence of a master
Critical examination of piano music through a psychological understanding of the act of performing.
Peer-reviewed article
Seismograms of a musical work
An investigation of pianists’ independence from the score by comparing their tempo through graphs.
Peer-reviewed audio paper
Lost in interpretation
Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel.
Peer-reviewed audio paper
Fleshy listening and multi-entity performance
Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.
Peer-reviewed article
A chip off the old Block?
Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block.
Peer-reviewed audio paper
Stewardship to obsolescence and preservation
On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.
Peer-reviewed audio paper
Leaky knowledge
Reflecting the practice of the medical technique for listening with a stethoscope.