Peer-reviewed article
Sensory Concert
An analysis of a sensory concert and its challenge of the gendered stage.
Peer-reviewed article
Exhibiting the Unheard(-of)
Women composers and the inadequate representation in historical canons and museum exhibitions.
Peer-reviewed article
Gender Matters
Inclusion and exclusion of gendered artefacts, bodies and things in the spaces of P3´s music production.
Peer-reviewed article
Seismograms of a musical work
An investigation of pianists’ independence from the score by comparing their tempo through graphs.
Peer-reviewed article
A chip off the old Block?
Historically-informed recording research exploring the work of the amateur recording pioneer Julius Block.
Peer-reviewed article
Beyond the media reveal
If we sought to go beyond the media reveal, what new practices of knowledge should emerge?
Peer-reviewed article
Sounding new materialism
How does a sonic artist come to terms with the global effects of the tools of her trade?
Peer-reviewed article
The composer as curator
How John Cage deconstructed the governed gallery experience and formed a new field of research.
Peer-reviewed article
The institutional situation of so-called sound art
A curatorial reading of Bruce Nauman’s sound installation “Für Kinder” calling for a post-medium approach to sound art.
Peer-reviewed article
Confronting embodied knowledge
A methodology of working with embodied sound and movement as an approach to creating open score pieces.
Peer-reviewed article
The audio paper
The current practice of the new format of the audio paper as well as its brief history.
Peer-reviewed article
Diagram for invisibility
The article suggests a “diagrammatic” reading of the notion of the acousmatic, where an experiential tension unfolds based on what can and cannot be seen, in relation to what is heard.