Archive

A fundamental mode of being in the world

Collaborative improvisation as a creative point of departure for studio production.

By Ilya Ziblat

By Kent Olofsson, Francisca Skoogh

Play always as if in the presence of a master

Critical examination of piano music through a psychological understanding of the act of performing.

By Ulf Friberg, Carl Holmgren, Stefan Östersjö

Lost in interpretation

Exploring the master-apprentice relationship through artistic research methodologies and the staging of a Hörspiel.

By Halla Steinunn Stefánsdóttir

Fleshy listening and multi-entity performance

Artistic environmental interaction and the notions of ‘fleshy listening’ and ‘multi-entity performance’.

By Noé Cuéllar, Joseph Kramer

Stewardship to obsolescence and preservation

On obsolescence, preservation, acoustic signatures and functions in the now closed Yerkes Observatory, Wisconsin.

By Salomé Voegelin, Mark Peter Wright

Leaky knowledge

Reflecting the practice of the medical technique for listening with a stethoscope.

A fuchsia-coloured awning

How to structure a composition in real-time.

By Magda Mayas

Psycho-sonic cartography

Creating the imaginary city through electronic and electroacoustic music in word and sound.

By Katt Hernandez

By Anders Hultqvist, Stefan Östersjö

Invisible sounds in a nested ecological space

A site-specific day-long installation/performance in the Gothenburg harbour.

By Halla Steinunn Stefánsdóttir

H e (a) r

Of an ecological enactive perspective.

By Henrik Frisk, Nguyen Thanh Thuy

Found in translation

The process of making a piece for voice, Vietnamese zither đàn tranh, and electronics.

Mundania

Just above the noise floor.

By Robert Willim

Production of sound, production of knowledge

Central Africa, Central Europe, global networks.

By Piotr Cichocki

Listening beyond radio, listening beyond history

A proposal for alternative radio histories.

By Kate Donovan

By Heidi Stalla, Diana Chester

Sound puppet

A pen friendship between East and West.

Revealing the Genius Loci through sound

The walser hamlet of San Gottardo.

By Carlotta Sillano

By Kwame Phillips, Debra Spitulnik Vidali

Collisions

Addressing the collision of the tactile and the sonic, the audio paper discusses how sonic frontiers are exploited and transgressed in the installation “Kabusha Radio Remix”.

Listening and not listening to voices

This audio paper considers how new listenings might lead to a richer, more inclusive sound art, that can embrace and celebrate difference.

By Cathy Lane

How to (re) do(o) things with sounds

In this audio paper and in the companion video paper Logan discusses sonic materiality through an inclusion of performative means.

By Kevin Logan

Origo

This audio paper documents the climbing of a pyramid, performing and discussing issues such as sound as evidence, networked ontology and agency, facts and materiality.

By Morten Søndergaard