Punk is Dead and Opera is Not Feeling Well Either
Damon Albarn’s Mozart spin-off »The Magic Flute II« is replete with synths and spectacle, but does it truly capture opera’s essence – or merely its aesthetics?
Damon Albarn’s Mozart spin-off »The Magic Flute II« is replete with synths and spectacle, but does it truly capture opera’s essence – or merely its aesthetics?
Jenny Wilsons første opera – en bearbejdning af Elfriede Jelineks »Women as Lovers« – kæmper for at finde sin musikalske stemme.
Jenny Wilson’s first opera – an adaptation of Elfriede Jelinek’s »Women as Lovers« – delivers sharp theatricality and biting satire but struggles to find its musical voice.
»Henrivende. Man forlod KoncertKirken lidt højere, gladere og mere legesyg.«
»Enchanting. One left KoncertKirken a little taller, happier, and more playful.«
»Cohesive, yet lacking challenges for the listener – such is the impression left by Josefine Opsahl’s new work.«
Helstøbt, men uden udfordring til lytterne er indtrykket af Josefine Opsahls nye værk.
Tre album med musik for strygekvartet – og det, der ligner – af Jürg Frey, Simon Christensen og Anders Lauge Meldgaard opsøger på hver sin måde musikalsk enkelhed. Men de vil helt forskellige ting med den.
Three albums with music for string quartet – and the likes – by Jürg Frey, Simon Christensen, and Anders Lauge Meldgaard each approach musical simplicity in their own way. But they aim for entirely different things with it.
»Phantom Orchestra« er et forrygende, smågalt eksperiment, drevet af en vilje til at skabe sammenspil i kaos.
»Bodies of Sound« gathers reflections from women and non-binary individuals on sound as experience, strategy, and resistance. This book should be read by anyone interested in sound as something beyond just music.
»Bodies of Sound« samler kvinders og non-binæres refleksioner over lyd som erfaring, strategi og modstand. Bogen bør læses af enhver med interesse for lyd som andet og mere end blot musik.