in brief
29.09

High to Fly, Ice-Cold to Crash

Jacob Kirkegaard: »Snowblind«
© Nils Strindberg
© Nils Strindberg

On his new album, Snowblind, Jacob Kirkegaard shifts his focus away from revealing the hidden sounds of our surroundings to instead depict a psychological drama. The inspiration: The Swedish polar explorer Salomon August Andrée, who in 1897 set course for the North Pole in a hot air balloon – a reckless journey that cost him and two others their lives, blinded by snow and the pursuit of fame.

Through 11 icy tableaus, Kirkegaard paints a portrait of the anxiety and doubt Andrée must have felt when the balloon crashed onto the pack ice east of Svalbard. For two months, the three men continued on foot until they reached the desolate island of Kvitøya – where they died a few weeks later, possibly poisoned by undercooked polar bear meat. By then, nature had long since revealed its hostility.

You hear all this on Snowblind. First, the balloon takes off in an air current that elegantly balances on the edge of suffocating dark synths and a heartbeat rhythm, while a metallic screech – reminiscent of a heroic electric guitar – subtly signals doubt: Was Andrée a hero or a villain? Shortly after, we land in a vast nothingness of scraped metal. The shockwave transforms into mischievous, squelchy synth footsteps as desperation and hallucinations grow: Was that a ship's horn I heard? A lifeline?

But no. Silence wins. The icy water rattles like a hungry beast. The hardboiled psychological drama leaves no room for hope, only a chance to stare at your end right in the face. Had Kirkegaard been a truly ruthless portraitist, we might have descended even further into darkness and disorientation, but his weightless ambience still leaves its marks in the snow.

English translation: Andreo Michaelo Mielczarek

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»Music is my life. It has accompanied me all the way and given me experiences, friendships and opportunities that I could never have imagined.«

Pablo Fernández is a Spanish musician and the new Head of Classical Music at the Royal Academy of Music, Aarhus/Aalborg. For many years, he was principal tuba player with the Barcelona Symphony Orchestra and has taught at higher music education institutions in Spain and Denmark. He is also active as a conductor, soloist, guest lecturer and jury member at international competitions. Fernández has extensive experience in the management and development of music projects, festivals and international collaborations. He has lived in Aarhus since 2014 and has been affiliated with the Royal Academy of Music since 2021.

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»Music is, to us, a kind of closed club of nepotism, networking and Copenhagen cowboy energy. But in reality, it’s got nothing to do with expensive guitars or technical skill. For us, music is something you can feel in your chest, or something that gives you goosebumps. The best concerts are when someone screams so earnestly that the rest of us don’t have to. The best music expresses emotions in a way that would get you picked up by an ambulance if you did it out on the street. For us, music should fuck with the people who have it too comfortable, and give those who have it fucked a feeling that they’re not alone. Boom. And what the fuck is a chord and a key anyway? Kisses from Nightmaries.«

Nightmaries blend saws, guitars and voices into a dark-country, no-wave, cowboy-doom nightmare. They create the kind of soundtrack that feels like a fever dream you somehow don’t want to wake up from. As the world gets stranger and darker, Nightmaries lean into the madness, serving up slow-burning songs that creep under your skin like a poison that takes its sweet time. Put on your favourite steel-toe boots, dip your smoky eyes in an ashtray, and prepare yourself for sloppy doom with punk energy.

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»To me, music is love. I love how music allows you to skip the small talk and connect directly with people’s innermost selves. It is an extraordinary and moving way to meet one another.«

Fenja wrote her first song at the age of twelve – about a polar bear dying due to climate change – and themes of existentialism, nature, and her own sensitive nature came to define the lyrics and sound she has since developed. She released her debut album, Flugtdyr, in 2021, and in February 2026, she released the album Menneskedyr.

© PR
© PR

Danish composer Sofus Forsberg has died at the age of 56. With his distinctive blend of melodic sensibility, electronic processing and rhythmic precision, he created a musical world that moved effortlessly between IDM, pop and the avant-garde.

© Simon Weyhe

»Music for me is my hobby, my job, my outlet, my mood, an endless source of discovering new music and new, old music, some of the best and can be some of the worst. And I love it!« 

Track72 aka Tue Track aka Anders Lundby Brixen. Producer, DJ, rapper and more. Known for his role in the trio Malk De Koijn, which since the mid-1990s has created a personal universe in Danish hip-hop. Has performed in Ponyblod, Xtra Naan, Track Abdullah Rock, Booty Cologne and others.