The Symphonic Statement of the Year
The music is brutal, relentless. But could it have been more: more in colour, beyond the duel?
The music is brutal, relentless. But could it have been more: more in colour, beyond the duel?
»Sofie Birch and Antonina Nowacka create a sensuous acoustic space where the dream of another time is allowed to emerge.«
The idea is strong, simple, and well executed. Like the sonic version of a cartoon mirage shimmering falsely in the sharp Californian sunlight.
Like a warped, crumpled tape, melodies bubble to the surface, and the offbeat rhythms repeat with the halting tempo of a scratched LP.
In the end, it sounds like a march that has forgotten who it was written for.
Three artists shattered the table’s constraints and gave technology a body.
»A poetic and precise sonic laboratory, where music emerges in hesitation and grows like a living creature.«
When there are two grand pianos for a concert, one of them is usually prepared. Rosenbaum had three (!) without using a single screw, coin, or ping-pong ball.
Smag På Dig Selv convincingly illustrates the age-old punk dictum that you can be angry and still have fun at the same time.
»I love being part of the ritual that heals our forgotten connection to nature, which is the very foundation of our lives.«
»When the gloom returned with renewed force, it was Kjærgaard who, with a roaring guitar, sprawled across the emotional abyss. It was beautiful and brutal.«
As a listener, there is nothing to do but surrender to Amalie Dahl and the group’s convincing display of strength.