Revivals have moved onto the agenda among Danish composers, and this month two violent operas by Matias Vestergård benefited from the trend. What is it that makes him so good at writing precisely that kind of work?

From cyborg kinships and alchemical wonder to masculine fragility and Anthropocene ecstasy – MINU showed that art still holds space for vulnerability, ferocity and strange beauty.

Charlottenborgs hyldest til Mika Vainio vil være en lydbiograf, men uden ordentlig volumen, mørke eller kontekst ender installationen som en oplevelse, man hurtigt glider ud af.

Current Resonance turned the idea of work inside out in an absurd, sweat-drenched performance that pulled the audience into a hard-pumped ritual of labour.

Unsound in Kraków is still more than a festival – it’s an echo of our own search for connection in the age of noise.

At the Musica festival in Strasbourg, everything from children’s concerts to organ storms and performative string quartets turned into a playful exploration of sound, body, and community.