At the Copenhagen Museum, the city’s forgotten soundscapes are brought to life – from street cries and gongs to nervous night sirens – in an exhibition that lets the echoes of the past resonate in present-day ears.

Damon Albarn’s Mozart spin-off »The Magic Flute II« is replete with synths and spectacle, but does it truly capture opera’s essence – or merely its aesthetics?

Jenny Wilson’s first opera – an adaptation of Elfriede Jelinek’s »Women as Lovers« – delivers sharp theatricality and biting satire but struggles to find its musical voice.

Three albums with music for string quartet – and the likes – by Jürg Frey, Simon Christensen, and Anders Lauge Meldgaard each approach musical simplicity in their own way. But they aim for entirely different things with it.

»Bodies of Sound« gathers reflections from women and non-binary individuals on sound as experience, strategy, and resistance. This book should be read by anyone interested in sound as something beyond just music.

Local traditions play a central role in the second-ever Faroese opera, in which Sunleif Rasmussen reclaims a local story made famous by Wagner.