With ‘Víddir’, a 60-minute composition of light and darkness, the Icelandic composer Bára Gísladóttir demonstrated the breadth of her imagination.

Madness and humour coexisted on stage as Marcela Lucatelli completed her composition studies in Copenhagen.

For a festival that prides itself on its all-premieres programming, the 2019 Donaueschinger Musiktage felt more than a little stale.

The Young Nordic Music festival, one of the most impossible festivals in the world, is also one of the most enlightening ones.

Simon Løffler’s personality shines through while Niels Lyhne Løkkegaard’s conceptual gold piece rings hollow at Gong Tomorrow.

A generational cycle of sexual abuse paired with a clear and lucid score. Last year’s operatic talk of the town was back for one day.