in briefrelease
04.05

The Escape From a Hotel That May Not Exist

RÖM: »Whispering Dub«
© PR
© PR

Ladies and gentlemen, we’re deep underground – indeed, all the way to France. This EP is the latest conceptual release from French electronic producer Victor Escomel, who works under the name RÖM in the borderland between ambient and techno. Whispering Dub unfolds across five tracks, drawing heavily on dub while telling a story about an escape from a fictional hotel. Escomel’s background in African percussion studies and his fondness for analog gear surface in the mysterious sonic textures and the stark contrast between arranged percussion and dubbed-out echoes, underscoring the concept’s tension between mysticism and reality.

»Oilbird« opens in dystopian ambient before sliding into the rhythmic »Eastern Temple«, which constantly shifts between filtered synths, frantic percussion, and sudden breakbeats. Things cohere more fully on the title track, which blends minimal techno into the mix and stands out by maintaining a steady pulse, while echo-laden drums cast an unsettling atmosphere within the dance framework. On the closing »Hotel Amnesia«, the narrator awakens again in a collage of the record’s electronic tendencies, questioning their own existence in the album’s only use of vocals.

Whispering Dub isn’t wildly groundbreaking or bizarre enough to push the senses into extreme reactions. But as a well-produced and effective piece of electronic music, it invites the listener into a compelling game of whispers.

English translation: Andreo Michaelo Mielczarek

© Malthe Folke Ivarsson

»In his music, composer Allan Gravgaard Madsen tries to create a better version of himself.« 

Allan Gravgaard Madsen is a Danish composer based in Copenhagen. His most recent works include Träume nicht and Nachtmusik. He tries to create a better version of himself in his music – where his personality tends to be restless, chatty and has an active inner life, his music is controlled, simple and merciless in its expression. He is the recipient of the Carl Nielsen & Anne Marie Carl-Nielsens Hæderspris 2022.

in briefrelease
23.01.2022

Finnish Space Travel

Tomutonttu: »Hoshi«
© Tomutonttu: »Hoshi«
© Tomutonttu: »Hoshi«

The Finnish multimedia artist Jan Anderzén has, with the album Hoshi, released under the solo moniker Tomutonttu, created a true little star. Not only because »hoshi« literally means »star« in Japanese, but above all due to the music itself. There is something cosmic, yet infinitely minute, about the sonic worlds Anderzén conjures—like a galaxy reflected in a puddle, or a space journey in a rocket carved from a hollow tree trunk. Synths emit busy, warm blips and bloops, while ultra-short vocal and instrumental samples create a recognizable blur. At once artificial and organic – soft, rounded, jagged, crackling.

Anderzén approaches sound with a playfulness I simply adore. His music is strange in an incredibly comforting way. It places me in a kind of colorful, trance-like state, only interrupted when, several times over the course of the album, I find myself smiling in delight at a particularly great sound. The synths on »Katse osuu sähköön!« The choral samples on »Kesä oli äkkiä ohi!« Milo Linnovaara’s flute on »Malta lausua ‘AH’!« And many more. Hoshi is an album packed with microscopic moments that together form a frayed, exploding, radiant, idiosyncratic whole—a stellar moment of just under 38 minutes.