In the Ruins of Old Organs, Builder Finds His Own Sonic Universe
On his previous album, Renewal Manifestation, Calum Builder let the organ of Mariendal Church roar forth as an imposing protagonist. Now he returns with a work in which the same instrument not only carries the narrative but is the entire narrative – in the form of »the (Re)constructed Pipe Organ«, an organ he has assembled himself from discarded pipes and mechanics salvaged from Danish churches.
It’s a fascinating project, but what about the music? It’s a mixed experience. The three opening tracks, which together form the title piece, as well as »sometimes, I wonder«, are the highlights. The homemade organ surges beneath Builder’s touch on the keys, its frequencies rising and falling like hills and valleys in constant flux. The instrument howls like an autumn wind in the trees, while under- and overtones stand tall like runestones before crashing into each other. Builder’s talent for dramatic songwriting emerges in these miniature pieces – despite the instrument’s audible limitations.
Unfortunately, things unfold differently in several of the other tracks, such as »cicadas_nighttimesound« and »Pacific«. They appear more like sketches – demonstrations of the organ’s possibilities – than fully realised compositions. Ideas remain static and repeated, with very little development. The expected shifts and resolutions never arrive. On Poor_in_Spirit, Builder is clearly experimenting with form and function, and that in itself is interesting. But I miss the vitality and dramaturgy that are otherwise the core of his music.
English translation: Andreo Michaelo Mielczarek
»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.«
Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.
»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music:
'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'.
That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«
Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.
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