in brieflive
18.02

Serious Creeps

Simon Toldam: »Insecta«
© Daniel Buchwald
© Daniel Buchwald

Some dream of discovering life in distant solar systems. Others – like Knud Viktor, Jacob Kirkegaard and now also Simon Toldam – turn the telescope around and uncover unknown life in the immediate yet hidden nature surrounding us. So what did Toldam, the 46-year-old pianist from the experimental jazz milieu, find last night when he turned his gaze toward English photographer Levon Biss’s ultra-close images of beetles, flies and grasshoppers in the world premiere of the hour-long audiovisual trio work Insecta?

First and foremost, he found a varied and inquisitive interpretation of insect life. Behind a transparent screen, Toldam transformed his prepared grand piano into a kind of gamelan instrument, while on either side of him sounds crept and hissed from saxophonist Torben Snekkestad and percussionist Peter Bruun. The production values were high, and the trio – collectively known as Loupe – moved deftly between the concrete and the spherical.

At times, however, there was something old-fashioned about the expression. As a yellow-brown grasshopper gradually took shape on the screen, nanometre by nanometre, the piano’s metallic cymbal-sounds placed it within an Eastern sonic realm. It resonated with exoticism, with old electronic EMS recordings steeped in atonal serialism, and soon Snekkestad let a plaintive Miles Davis-like trumpet drift through the soundscape.

Yet when, with dramatic flair, he blew air through the same instrument or attached a rubber hose and transformed it into a frothing bass monster – while Bruun stroked metal surfaces or pounded the drums in ritualistic patterns – we were out of the past again. And when Insecta finally leaned into the ambient, and Toldam began bending the gamelan tones with his hands inside the open piano, it was as if not only time but also the distance between oneself and the insects dissolved into a trembling dream image. At that point, it suddenly no longer mattered whether there is life on Mars.

English translation: Andreo Michaelo Mielczarek

© PR

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music: 

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'. 

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

© PR
© PR

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.

© Kåre Viemose

»Recently, I discovered that when a couple of thousand people clap their thick gloves in minus 30 degrees, it sounds like the softest techno – a freezing space where the cold air turns into a wave of warmth, and we, in a moment of collective devotion, become one with the rhythm, one with the invisible bond that connects us in the warmth of silence. Music is not just sounds, but a vain attempt to capture the infinite, which has always been and always will be.«

Andreo Michaelo Mielczarek has been the editor-in-chief of Seismograf since 2021. He is also a music critic and cultural journalist at Kristeligt Dagblad and Århus Stiftstidende/Avisen Danmark and has over the years written to publications such as Kunsten.nu, Glissando (Poland), Neural (Italy), Raw Vision (UK), Nutida Musik (Sweden), Kunstkritikk (DK/Sweden), Iscene.dk, B.T., and Jazz Special. He is the author (together with Lars Muhl) of the book HVA' SAA! En guidet rutsjebanetur gennem Aarhus – før, nu og i fremtiden (2024) and has also contributed to the anthology on music criticism Man skal høre meget (ed. Thomas Michelsen and Claus Røllum-Larsen, 2024). He is a founder and partner in the Polish-Danish cultural organization Kultur(a), and wherever there is a piano, he will be there, eager to coax a melody from it.

© Aria Leth Schütze

»For me, music is an opportunity for transformation.«

Aria Leth Schütze is based in Copenhagen and is the creative force behind the music projects Alto Aria and Samler På Dig. They are a co-founder of the record label Rhizome and a co-editor of the music magazine Passive/Aggressive. Their practice brings together electronic and acoustic music in an exploration of transformation.
 

© PR

»For me, music is the art form that – if measured in hours and minutes – occupies by far the greatest part of my life. I cannot sing, nor can I play an instrument, but I can listen – as a happy amateur – while cycling, on the dance floor, and, above all, at the office. I almost always work – that is, write – to music.« 

Mikkel Krause Frantzen (b. 1983) is an associate professor at the Department of Arts and Cultural Studies, a literary critic for Politiken, and the author of several books in English and Danish, such as En fremtid uden Fremtid (2018), Klodens Fald (2021), and Slutspil (2024).