in brief

25.03.2021

Ind i det elektriske netværk

Natasha Barrett: »Leap Seconds«

Natasha Barrett: »Leap Seconds«. © Sargasso

Jeg føler mig som det elektriske netværk i hjemmet. Det første af de fire værker på albummet, Involuntary Expression, begynder i støvsugeren. Fornemmelsen af en ventilator, der langsomt tager til i kraft, glider ind i lyden af en altomsluttende elektrisk støj. Det er, som om jeg bliver ført gennem kablet og ind i væggen. Lyden af et modem. Telefon. Computer. Og videre til for mennesket ukendte steder. Hvis strøm havde ører, ville det lyde sådan.

En langt mere organisk oplevelse er Dusk’s Gait: som at flyve rundt mellem insekters vinger, helt tæt på og i slowmotion, så alle de små, sprøde slag bliver tydelige. Lyden af vind og vibrationer bliver gjort taktil, vand bringes tæt på og truer med at opsluge mig.

The Weathered Piano (quattor tempora anni) er som en mareridtsagtig sekvens, hvor jeg er fanget inde i et klaver, der langsomt bliver smadret af at stormvejr. Strengene forvrænges, træet skælver. Pludselig er det morgen, og regnen spiller på de nu knækkede rester af strengene, mens fuglene synger.

Til slut giver He Slowly Fell and Transformed into Terrain os en kaotisk rejse fra rummet mod Jorden. Pludselige døre, der åbner og lukker, børnestemmer, og snart er vi opslugt. Mine ord kan ikke helt rumme dette albummets mest abstrakte værk.

Barrett, der i februar blev ansat som fast gæsteprofessor i komposition ved Det Jyske Musikkonservatorium, skaber nogle mesterlige lydskulpturer, der alle indeholder genkendelige brudstykker, men forvrænget, som om man lyttede i en drøm.

playlist

14.10

My name is Krzysztof Pietraszewski – would you like to see my playlist?

»Music helps me feel, process and regulate my emotions, giving them an outlet when I need release and bringing me calm when I need balance – it’s sort of my outsourced nervous system.«

Krzysztof Pietraszewski is a music journalist, editor and curator based in Kraków, Poland. Since 2016, he has served as artistic director of Sacrum Profanum, a festival dedicated to new and experimental music. He hosts Muzykoteka and the RKK Live concert rebroadcast series on Radio Kraków Kultura. He also develops listening sessions with discussions, inviting audiences to discover unfamiliar music, exchange impressions and experience listening as a shared activity. His work includes executive-producing recordings for the Sacrum Profanum Archives series. Originally from Silesia, he has made Kraków his home, sharing music through concerts, radio broadcasts, writing and, more recently, experimental DJ sets.

playlist

14.10

My name is Lone Hørslev – would you like to see my playlist?

»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.«

Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.

playlist

14.10

My name is Raphael Loher – would you like to see my playlist?

»I think music is just the way I perceive and process the world.«

Raphael Loher is a pianist and composer based in Lucerne, Switzerland who combines elements of experimental electronic music, ambient, and minimalist composition. His distinct, crystalline work explores playful reduction and rhythmic abstraction, aiming to create singular resonances and aesthetic connections. His meditative style of piano playing allows shimmering rhizomatic structures to emerge, giving rise to tense narrative arcs. Loher expands his sound spectrum by preparing the piano, using effect pedals, and working with a tape recorder.

Loher’s new album Figuren (Präsens Editionen) is an album shaped by intuition, experimentation, and a deliberate distance from his primary instrument — the piano. Reworking intimate concert recordings made during a residency, Loher deconstructed selected melodies, tones, and resonances into new forms, transforming them further through tape manipulation.

playlist

06.10

We are Late Runner – would you like to see our playlist?

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music:

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'.

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

news

04.10

Björk takes over Polish marketplace today for secret festival finale

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.