in brief

05.05.2021

Ekstraordinære koncepter, ordinær musik

CPH:DOX: »A Symphony of Noise«

Matthew Herbert i Enrique Sánchez Lanschs »A Symphony of Noise«. © Kloos und Co. Medien

Orgler drevet af blod, dybstegte trompeter, træfældning optaget på indersiden af et træ og Mahlers musik opført ved hans gravsted og hørt fra indersiden af en kiste. Det er ikke, fordi fantasien fejler noget, når sampleaktivisten Matthew Herbert går i gang med at lave koncepter til sin musik, men hvordan lyder det egentlig? Lidt undervældende ...

I A Symphony of Noise følger vi Herbert, der fortæller om sine overvejelser, når han laver sin meget politiske musik. For Herbert er der noget politisk i samplingens evne til at kunne udvide og spille med verden. Så når han vil kommentere svineproduktion, optager han et svin igennem et år og komponerer One Pig med disse lyde i stedet for at skrive en svinesonate for cello.

Det lyder alt sammen meget lovende, men i praksis er det ikke så overvældende. Det politiske er tit svært at høre, for når Herbert laver musik, er det snarere, som når en hiphopproducer crate-digger; han finder teksturer i lydene, og så komponerer han en slags (glimrende) housemusik med dem. Det musikalske overskygger i praksis det politiske, hvor det er svært at høre brexit, fordi man hører en syden fra en fish ‘n’ chips-gryde.

Det gør, at Enrique Sánchez Lanschs dokumentarfilm fungerer bedst, når den fikserer på Herberts visioner frem for produktet. Det er fascinerende at komme ind i hovedet på Herbert, der eksempelvis fortæller om sin nærmest guddommelige oplevelse af at høre 3.500 mennesker bide i æbler – en sonisk begivenhed, han mener, kun Gud eller rumvæsner og FBI (der alle overvåger os!) har oplevet før ham.

Musikalsk er det også Herberts fluxuslignende soundscapes (de er kun beskrevet i tekst, som løbende læses op), der er mest interessante. Herbert er en formidabel formidler af, hvordan han forestiller sig, at eksempelvis universet kan lyde.

playlist

14.10

My name is Krzysztof Pietraszewski – would you like to see my playlist?

»Music helps me feel, process and regulate my emotions, giving them an outlet when I need release and bringing me calm when I need balance – it’s sort of my outsourced nervous system.«

Krzysztof Pietraszewski is a music journalist, editor and curator based in Kraków, Poland. Since 2016, he has served as artistic director of Sacrum Profanum, a festival dedicated to new and experimental music. He hosts Muzykoteka and the RKK Live concert rebroadcast series on Radio Kraków Kultura. He also develops listening sessions with discussions, inviting audiences to discover unfamiliar music, exchange impressions and experience listening as a shared activity. His work includes executive-producing recordings for the Sacrum Profanum Archives series. Originally from Silesia, he has made Kraków his home, sharing music through concerts, radio broadcasts, writing and, more recently, experimental DJ sets.

playlist

14.10

My name is Lone Hørslev – would you like to see my playlist?

»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.«

Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.

playlist

14.10

My name is Raphael Loher – would you like to see my playlist?

»I think music is just the way I perceive and process the world.«

Raphael Loher is a pianist and composer based in Lucerne, Switzerland who combines elements of experimental electronic music, ambient, and minimalist composition. His distinct, crystalline work explores playful reduction and rhythmic abstraction, aiming to create singular resonances and aesthetic connections. His meditative style of piano playing allows shimmering rhizomatic structures to emerge, giving rise to tense narrative arcs. Loher expands his sound spectrum by preparing the piano, using effect pedals, and working with a tape recorder.

Loher’s new album Figuren (Präsens Editionen) is an album shaped by intuition, experimentation, and a deliberate distance from his primary instrument — the piano. Reworking intimate concert recordings made during a residency, Loher deconstructed selected melodies, tones, and resonances into new forms, transforming them further through tape manipulation.

playlist

06.10

We are Late Runner – would you like to see our playlist?

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music:

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'.

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

news

04.10

Björk takes over Polish marketplace today for secret festival finale

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.