Roll over, Mozart
Nu har Politiken ganske vist lige kåret Matias Vestergård til den varmeste ting inden for klassisk musik siden Mozart, men det er alligevel tæt på overmodigt med et debutalbum bestående af intet andet end musik, man har skrevet som ung studerende. De fem værker her er bogstaveligt talt stiløvelser.
Men hov, der er måske noget om snakken. For hør, hvor elegant komponisten tegner de seks karakterstykker undervejs: istapper af horn, koklokke og obo, der falder og splintres, alarmerede strygere og elastisk klanglig variation i hurtige flugtsekvenser. Sindsoprivende præcist sat i lyd af Esbjerg Ensemble med stor billedkraft.
Albummet fungerer som en lille lommebog, man kan tage med sig, når man går i operaen for at se Vestergård folde sig ud på den store scene, hvor han har hjemme. De tre idyller mestrer antydningens kunst med kvalte fuglefløjt på strygernes åbne strenge kontrasteret af lette, boppende motiver i ensemblet, inden værket udarter til drilsk og stadig vildt staccato bongorytmik.
Underligt fersk er det eneste vokalværk, de to Løppenthin-sange med oversubtilt akkompagnement og stædige vokalmønstre. Her fordamper energien, og Signe Asmussens universalskuespillende stemme står afklædt tilbage. Lige til den tørre side, hvad?
Men ellers cementerer udgivelsen det, som jeg egentlig var lidt i tvivl om: at Vestergård har en kæmpe værktøjskasse at arbejde med, og at der er meget at glæde sig til, selv hvis han, trods Politikens ode, viser sig at være i kategorien lige under Mozart.
»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.«
Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.
»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music:
'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'.
That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«
Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.
It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.