På Ærø gror musikken vildt

Første Kvartal: »Ærø«

Et af de fantastiske aspekter ved improviseret musik er, at den i visse øjeblikke kan begejstre med en overraskende, uforudset samhørighed. Således er det delvist tilfældet på den elektro-akustiske improvisationskvartet Første Kvartals debutudgivelse Ærø. Albummets to første numre gør gode indtryk. »Nyt, grønt« med en saxofon og en synth, der stikker i vidt forskellige retninger, et lydbillede, der i bratte ryk ekspanderer udad, men alligevel stadig fastholder en delt kerne. »I stedet for ingenting« med bølgende modulerende, spacy synth og en melankolsk melodi på klaveret. Simpelt, men af den årsag effektivt. Med det tredje nummer, »Forkastet«, synes inspirationens lys at dæmmes en smule. Den prominente saxofon over en mørk og mystisk bund vækker mindelser om Bowies berlinertrilogi, men vækker desværre ikke meget mere end det. En ærgerlig stilstand præger albummets midte, som først uddrives igen i syvende nummer, »Gro«, der i lighed med det første til stor effekt spiller på modsætningsforholdet mellem en raspet saxofon og en synth, der virker til at ville noget helt andet end blæserinstrumentet.

Den resterende del af udgivelsen vender igen tilbage til et smukt fungerende samspil mellem de fire musikere, men det understreger blot det ærgerlige midterstykke, der mangler den magi, som improvisationsmusik ellers kan være katalysator for. Når det virker, virker det rigtig godt. Ærgerligt, at det ikke gør det hele tiden.

playlist

14.10

My name is Krzysztof Pietraszewski – would you like to see my playlist?

»Music helps me feel, process and regulate my emotions, giving them an outlet when I need release and bringing me calm when I need balance – it’s sort of my outsourced nervous system.«

Krzysztof Pietraszewski is a music journalist, editor and curator based in Kraków, Poland. Since 2016, he has served as artistic director of Sacrum Profanum, a festival dedicated to new and experimental music. He hosts Muzykoteka and the RKK Live concert rebroadcast series on Radio Kraków Kultura. He also develops listening sessions with discussions, inviting audiences to discover unfamiliar music, exchange impressions and experience listening as a shared activity. His work includes executive-producing recordings for the Sacrum Profanum Archives series. Originally from Silesia, he has made Kraków his home, sharing music through concerts, radio broadcasts, writing and, more recently, experimental DJ sets.

playlist

14.10

My name is Lone Hørslev – would you like to see my playlist?

»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.«

Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.

playlist

14.10

My name is Raphael Loher – would you like to see my playlist?

»I think music is just the way I perceive and process the world.«

Raphael Loher is a pianist and composer based in Lucerne, Switzerland who combines elements of experimental electronic music, ambient, and minimalist composition. His distinct, crystalline work explores playful reduction and rhythmic abstraction, aiming to create singular resonances and aesthetic connections. His meditative style of piano playing allows shimmering rhizomatic structures to emerge, giving rise to tense narrative arcs. Loher expands his sound spectrum by preparing the piano, using effect pedals, and working with a tape recorder.

Loher’s new album Figuren (Präsens Editionen) is an album shaped by intuition, experimentation, and a deliberate distance from his primary instrument — the piano. Reworking intimate concert recordings made during a residency, Loher deconstructed selected melodies, tones, and resonances into new forms, transforming them further through tape manipulation.

playlist

06.10

We are Late Runner – would you like to see our playlist?

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music:

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'.

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

news

04.10

Björk takes over Polish marketplace today for secret festival finale

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.