in brieflive
04.03.2024

Til dybet vi skal gå

Anne Zacho Søgaard, Alexandra Moltke Johansen, Nini Julia Bang, Hanne Uldal, Mathias Monrad Møller, Matilde Böcher m.fl.: »Dansedybet«
© Emilia Therese
© Emilia Therese

I Dansedybet på Sort/Hvid er intet levende. Alt er støv og aske. Performerne er ligblege og viklet ind i gazebind, som om deres kroppe er gået i stykker, eller måske allerede er døde. Sammen fører de publikum igennem en slags grotesk danse macabre mod fællesgraven. Opløftende og forløsende er det ikke, og ritualet befinder sig langt fra den kollektive, transformative heling og forbundethed, værket lægger op til. 

»Tag min hånd, lad benene gå. Træd den dans, til dybet vi skal gå.« Vi inviteres til at bevæge os ned til dybet i en lang kædedans med simple, svingende fodtrin. Musikken har menneskestemmen i fokus og synges hovedsagligt a cappella, hvilket giver et ærligt, ritualistisk udtryk. En operasanger, en verdensmusiksanger og en skuespiller fortæller om dengang, høsten slog fejl og om den dansepest, der rasede i byens gader.

Rustikke folkeviser blander sig med stemmens perkussive potentialer, og historien intensiveres. En mand i præstekrave slikker en svedig pølse, mens han tænker på Satan og bliver mere og mere urolig. En kvinde kollapser i heftige spasmer og ufrivillig latter. Det er vist meningen, at vi også skal grine med. Få noget ud af systemet. Vi står dog efterhånden mest stille og iagttagende. Dansedybet er visuelt smuk og har stærke enkeltperformances, men det sker mest i dryp i en noget fragmenteret oplevelse. Den sporadiske fællesdans forbliver også mild og munter, uden nogen umiddelbar sammenhæng til pestens kropslige ekstase og revolution. Dansesmitten udebliver.

© Paw Ager

»For me, music is about curiosity and surprises – yet it’s also something in which you can feel right at home. Music resides within us all, in a physical way that sets it apart from any other art form. To me, music is something greater than the individual – something that will always outlive the individual. The good stuff, in other words ;) « 

Kaspar Kaae is an award-winning film composer, music producer, and songwriter, known for his work with bands such as CODY and Bug Chaser. He holds a Master’s degree in film composition from SDMK.  He has previously been a guitarist in a number of bands on the Danish indie scene, such as CODY, Broken Twin, and Bug Chaser. The latter is releasing the album My First Crippled Love in November. He was born in 1983 on Bornholm, but has lived in Copenhagen and Berlin throughout his adult life.

© PR

»Music is like a black hole that sucks you in and shoots you out on the other side of the universe.«

Francesco Rista is a guitarist working across classical and electric guitar. His recordings have been reviewed by international music magazines and broadcast on BBC and RAI Radio 3. After studying at the Royal Danish Academy of Music and Lund University, he focused on studio recordings, exploring guitar repertoire from the Baroque and Romantic periods to contemporary music, as well as the instrument’s varied tonal possibilities. Rista is currently based in Iceland, where he teaches guitar, composes music, and collaborates with contemporary composers.

 

© Villads Hoffmann
© Villads Hoffmann

Percussionist and composer David Hildebrandt is honoured for his virtuosic work with new music and his efforts to push the boundaries of what rhythm can be.

David Hildebrandt is among the recipients of this year’s honorary awards from the Wilhelm Hansen Foundation. He receives DKK 200,000 in recognition of his uncompromising work with new music and multi-percussion, as well as his ability to challenge conventional ideas about rhythm.

© Thor Brødreskift
© Thor Brødreskift
The 2026 Nordic Council Music Prize goes to Norwegian composers Kristine Tjøgersen and Benedicte Maurseth for Elja, a suite for the Kronos Quartet and Hardanger fiddle.
 
Rationale
© Carsten Seidel

»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«

Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.