14.02.2013

blå indgang

Den 28. februar fejres et musikalsk møde mellem electronica, ambient og klassisk musik med en koncert i lille VEGA, samt udgivelsen af cd’en Auxiliary Blue. Kunstnerne bag denne fusion er den tyske electronica-musiker Frank Bretschneider og den danske komponist Ejnar Kanding i et samarbejde med danske ensemble Contemporánea.

Ensemble Contemporáneas musikere på basklarinet, violin, kontrabas og slagtøj sættes sammen med computergenereret surround-klange (MaxMSP real-time processing). Den tyske electronica-kunstner Frank Bretschneider og komponist Ejnar Kanding har i fællesskab komponeret musikken, som på VEGA fremføres live af ensemble Contemporánea.

Til koncerten i VEGA kan man opleve den anerkendte tyske videokunstner Lillevan, der skaber visuals til musikken. Lillevan har optrådt og samarbejdet med kunstnere indenfor både opera, klassisk musik og diverse elektroniske genrer fra ambient til dance. Han har udstillet og optrådt med sine animationer, musikvideoer og visuals over hele verden. Det er første gang, han gæster VEGA. 

Koncerten er torsdag den 28. februar kl. 21. i Lille VEGA. 
Læs mere om koncerten her.

Om CD'en Auxiliary Blue
På CD'en Auxiliary Blue skaber Bretschneider og Kanding forbindelser på kryds og tværs mellem Berlin og København med tre værker fra de seneste fem år. Ensemblet Contemporánea spiller de to komponisters versioner af hinandens værker og skaber helt nye minimalistiske klangværker i spændingsfeltet mellem fremdrift og stilstand - mellem akustisk og elektronisk musik.

Læs mere om cd’en her. 

© PR

»Music has been a healing balm for me.«

John William Grant is an American singer, musician, and songwriter holding both American and Icelandic citizenship. He first came to prominence as a co-founder, lead vocalist, pianist, and primary songwriter of the alternative rock band The Czars. After releasing six albums between 1994 and 2006, the band disbanded, and Grant withdrew from music for four years before embarking on a solo career.

He returned in April 2010 with a critically acclaimed debut album recorded in collaboration with Midlake. Queen of Denmark was named Album of the Year 2010 by Mojo magazine and was also selected as one of the ten best albums of 2010 by The Guardian’s music critics and writers.

© Malthe Folke Ivarsson

»In his music, composer Allan Gravgaard Madsen tries to create a better version of himself.« 

Allan Gravgaard Madsen is a Danish composer based in Copenhagen. His most recent works include Träume nicht and Nachtmusik. He tries to create a better version of himself in his music – where his personality tends to be restless, chatty and has an active inner life, his music is controlled, simple and merciless in its expression. He is the recipient of the Carl Nielsen & Anne Marie Carl-Nielsens Hæderspris 2022.

in briefrelease
23.01.2022

Finnish Space Travel

Tomutonttu: »Hoshi«
© Tomutonttu: »Hoshi«
© Tomutonttu: »Hoshi«

The Finnish multimedia artist Jan Anderzén has, with the album Hoshi, released under the solo moniker Tomutonttu, created a true little star. Not only because »hoshi« literally means »star« in Japanese, but above all due to the music itself. There is something cosmic, yet infinitely minute, about the sonic worlds Anderzén conjures—like a galaxy reflected in a puddle, or a space journey in a rocket carved from a hollow tree trunk. Synths emit busy, warm blips and bloops, while ultra-short vocal and instrumental samples create a recognizable blur. At once artificial and organic – soft, rounded, jagged, crackling.

Anderzén approaches sound with a playfulness I simply adore. His music is strange in an incredibly comforting way. It places me in a kind of colorful, trance-like state, only interrupted when, several times over the course of the album, I find myself smiling in delight at a particularly great sound. The synths on »Katse osuu sähköön!« The choral samples on »Kesä oli äkkiä ohi!« Milo Linnovaara’s flute on »Malta lausua ‘AH’!« And many more. Hoshi is an album packed with microscopic moments that together form a frayed, exploding, radiant, idiosyncratic whole—a stellar moment of just under 38 minutes.