Borealis er en festival for ny musik, støj og lydkunst, der finder sted i Bergen. I år mellem den 6-10 marts. Centralt for festivalen er et varieret udvalg af ny musik, lydkunst, performances og elektronisk musik.

Før, under og efter Borealis er der udstillinger tilknyttet festivalen. De er på Bergen Kunsthall, Lydgalleriet, Visningsrommet USF, Rom 8 og Haukeland sykehus.

Herudover er der samtaler og foredrag, der fungerer som en platform for at artister og kunstnere kan præsentere deres arbejde. I år har festivalen også taget initiativ til BOZ talks, hvor fagspecialister giver præsentationer, der relaterer sig til festivaltemaet.

Temaet for Borealis 2013 fejrer afslutninger, alderdom, aldring, forrådnelse, apokalypse og død. Dette manifesteres i værker af komponister som normændene Lasse Marhaug og Øyvind Torvund, italienerne Stefano Scodanibbio og Giacinto Scelsi, tysk/ sydamerikanske Mauricio Kagel, græske Georges Aperghis, amerikanerne Charles Ives, John Cage og Jimi Hendrix, rumænsk/ franske Horațiu Radulescu, ungarske Franz Liszt, de russiske Alexander Scriabin og Sofia Gubaidulina, slovenske Globokar, den engelske Sir Peter Maxwell Davies’ og J.S. Bach.  

Festivalen begynder den 6. marts og fortsætter til den 10. Men allerede i denne uge, 21. februar til 3. marts, er der ”opvarmningsuge”, der også byder på events og koncerter. 

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»Music has been a healing balm for me.«

John William Grant is an American singer, musician, and songwriter holding both American and Icelandic citizenship. He first came to prominence as a co-founder, lead vocalist, pianist, and primary songwriter of the alternative rock band The Czars. After releasing six albums between 1994 and 2006, the band disbanded, and Grant withdrew from music for four years before embarking on a solo career.

He returned in April 2010 with a critically acclaimed debut album recorded in collaboration with Midlake. Queen of Denmark was named Album of the Year 2010 by Mojo magazine and was also selected as one of the ten best albums of 2010 by The Guardian’s music critics and writers.

© Malthe Folke Ivarsson

»In his music, composer Allan Gravgaard Madsen tries to create a better version of himself.« 

Allan Gravgaard Madsen is a Danish composer based in Copenhagen. His most recent works include Träume nicht and Nachtmusik. He tries to create a better version of himself in his music – where his personality tends to be restless, chatty and has an active inner life, his music is controlled, simple and merciless in its expression. He is the recipient of the Carl Nielsen & Anne Marie Carl-Nielsens Hæderspris 2022.

in briefrelease
23.01.2022

Finnish Space Travel

Tomutonttu: »Hoshi«
© Tomutonttu: »Hoshi«
© Tomutonttu: »Hoshi«

The Finnish multimedia artist Jan Anderzén has, with the album Hoshi, released under the solo moniker Tomutonttu, created a true little star. Not only because »hoshi« literally means »star« in Japanese, but above all due to the music itself. There is something cosmic, yet infinitely minute, about the sonic worlds Anderzén conjures—like a galaxy reflected in a puddle, or a space journey in a rocket carved from a hollow tree trunk. Synths emit busy, warm blips and bloops, while ultra-short vocal and instrumental samples create a recognizable blur. At once artificial and organic – soft, rounded, jagged, crackling.

Anderzén approaches sound with a playfulness I simply adore. His music is strange in an incredibly comforting way. It places me in a kind of colorful, trance-like state, only interrupted when, several times over the course of the album, I find myself smiling in delight at a particularly great sound. The synths on »Katse osuu sähköön!« The choral samples on »Kesä oli äkkiä ohi!« Milo Linnovaara’s flute on »Malta lausua ‘AH’!« And many more. Hoshi is an album packed with microscopic moments that together form a frayed, exploding, radiant, idiosyncratic whole—a stellar moment of just under 38 minutes.