Fra den 6.- 8. marts 2013 er det anerkendte franske Ensemble InterContemporain i København – med dansk musik på repertoiret.

Onsdag den 6. marts opfører de en intimkoncert med fem musikere i Louisianas bådehus. Til åbningskoncerten af årets PULSAR festival (fra den 7. til den 14. marts) uropfører franskmændene fem værker. Værkerne udmærker sig ved at være skrevet af unge danske og internationale komponister, på bestilling af ensemblet. Komponisterne er henholdsvis Nicolai Worsaae, Mette Nielsen, Lasse Schwanenflügel Piasecki, Manuel Rodríguez og Nick Martin. Koncerten opføres i Konservatoriets Koncertsal. Den 8. marts, også under PULSAR, opfører Ensemble InterContemporain i en opstilling med 30 musikere værker af Bent Sørensen, Hans Abrahamsen, Simon Steen-Andersen og Bruno Mantovani i Konservatoriets Koncertsal.

Pierre Boulez etablerede Ensemble InterContemporain i 1976, og har lige siden været dedikeret til at fremføre og udbrede samtidsmusikken. Med 31 passionerede solister er det et af verdens absolut førende ensembler indenfor ny musik, som udmærker sig ved at være exceptionelt lydhøre over for eksperimenter og lægge vægt på talentudvikling.

Gæstespillet præsenteres af SNYKDansk Komponist Forening 100 årDet Kongelige Danske Musikkonservatorium, PULSAR festivalen og Louisiana.

Læs mere om Ensemble InterContemporainLouisiana koncerten og PULSAR Festivalen

Foto: A. Warme-Janville

© PR

»Music has been a healing balm for me.«

John William Grant is an American singer, musician, and songwriter holding both American and Icelandic citizenship. He first came to prominence as a co-founder, lead vocalist, pianist, and primary songwriter of the alternative rock band The Czars. After releasing six albums between 1994 and 2006, the band disbanded, and Grant withdrew from music for four years before embarking on a solo career.

He returned in April 2010 with a critically acclaimed debut album recorded in collaboration with Midlake. Queen of Denmark was named Album of the Year 2010 by Mojo magazine and was also selected as one of the ten best albums of 2010 by The Guardian’s music critics and writers.

© Malthe Folke Ivarsson

»In his music, composer Allan Gravgaard Madsen tries to create a better version of himself.« 

Allan Gravgaard Madsen is a Danish composer based in Copenhagen. His most recent works include Träume nicht and Nachtmusik. He tries to create a better version of himself in his music – where his personality tends to be restless, chatty and has an active inner life, his music is controlled, simple and merciless in its expression. He is the recipient of the Carl Nielsen & Anne Marie Carl-Nielsens Hæderspris 2022.

in briefrelease
23.01.2022

Finnish Space Travel

Tomutonttu: »Hoshi«
© Tomutonttu: »Hoshi«
© Tomutonttu: »Hoshi«

The Finnish multimedia artist Jan Anderzén has, with the album Hoshi, released under the solo moniker Tomutonttu, created a true little star. Not only because »hoshi« literally means »star« in Japanese, but above all due to the music itself. There is something cosmic, yet infinitely minute, about the sonic worlds Anderzén conjures—like a galaxy reflected in a puddle, or a space journey in a rocket carved from a hollow tree trunk. Synths emit busy, warm blips and bloops, while ultra-short vocal and instrumental samples create a recognizable blur. At once artificial and organic – soft, rounded, jagged, crackling.

Anderzén approaches sound with a playfulness I simply adore. His music is strange in an incredibly comforting way. It places me in a kind of colorful, trance-like state, only interrupted when, several times over the course of the album, I find myself smiling in delight at a particularly great sound. The synths on »Katse osuu sähköön!« The choral samples on »Kesä oli äkkiä ohi!« Milo Linnovaara’s flute on »Malta lausua ‘AH’!« And many more. Hoshi is an album packed with microscopic moments that together form a frayed, exploding, radiant, idiosyncratic whole—a stellar moment of just under 38 minutes.