© Sebastian Gudmand-Høyer

»Music is a full bodied, raw and physical exchange. It’s an absorption that is overwhelming, that sometimes grants you relief. Music is interactive, and depends on you as a listener.« 

Alexander Tillegreen is a composer and artist who operates both visually, sonically and spatially. He works in a plurality of formats including multichannel sound installations & performances, interactive listening sessions, paintings, prints, light and concerts as well as exhibitions, commissioned works, and releases. In 2023, he presented a cycle of new commissioned sound works for the Darmstädter Internationale Ferienkurse für Neue Musik. Same year, he released his debut album in words on the acclaimed German electronic music label rastermedia. 

Alexander Tillegreen’s work has been the subject of numerous institutional solo and group exhibitions including: A Bruit Secret – Hearing in Art at Museum Tinguely in Basel (2023), O-Overgaden Institute for Contemporary Art in Copenhagen (2022), FuturDome Museum in Milano (2022), Kunstverein Göttingen (2022), Kunstforeningen GL Strand (2023), Museum für Moderne Kunst in Frankfurt (2017), and The National Gallery of Art in Copenhagen (2008). He has presented his music at many festivals and venues including STRØM Festival, Roskilde Festival, and CTM Festival. 

His most recent work investigates the relationship between psychoacoustic sonic phenomena and their potential to reflect and awaken the listener’s own linguistic and cultural embeddedness and co-creative embodied, interaction as a listener. 

He has been conducting artistic research at the Max Planck Institute for Empirical Aesthetics. This research centers on aspects of attention, spatial sound, voice, gender, identity, embodied co-creation, and language perception in relation to the phantom word illusion – a language-based psychoacoustic phenomenon, that triggers the illusory sensation of hearing inner streams of words that are not necessarily acoustically present.

In 2024, Alexander Tillegreen will represent Denmark at the ISCM World New Music Days on the Faroe Islands.

© Alicja Rzepa/Sacrum Profanum
»Music helps me feel, process and regulate my emotions, giving them an outlet when I need release and bringing me calm when I need balance – it’s sort of my outsourced nervous system.«
 
Krzysztof Pietraszewski is a music journalist, editor and curator based in Kraków, Poland. Since 2016, he has served as artistic director of Sacrum Profanum, a festival dedicated to new and experimental music. He hosts Muzykoteka and the RKK Live concert rebroadcast series on Radio Kraków Kultura. He also develops listening sessions with discussions, inviting audiences to discover unfamiliar music, exchange impressions and experience listening as a shared activity. His work includes executive-producing recordings for the Sacrum Profanum Archives series. Originally from Silesia, he has made Kraków his home, sharing music through concerts, radio broadcasts, writing and, more recently, experimental DJ sets.
 
 
 
© PR

»For me, music is at its best when it appeals to both the head and the heart. I love music that plays with language and understands how words create images, while also possessing its own unique sonic quality and mood. It’s an added bonus if the music energizes me during a run, makes me dance in the kitchen, or makes me laugh. Or cry. Music can be like a chocolate-coated marshmallow treat with a surprise inside.« 

Lone Hørslev is an author of poetry, novels, and song lyrics, as well as the TV series Den gode stemning. Together with Mads Mouritz, she forms one half of the Mouritz/Hørslev Project, and she recently wrote lyrics for the musical theatre production STOLT in collaboration with Katrine Muff. The songs can be found on the album Jeg ønsker mig.

© Sam Aebi
»I think music is just the way I perceive and process the world.«
 
Raphael Loher is a pianist and composer based in Lucerne, Switzerland who combines elements of experimental electronic music, ambient, and minimalist composition. His distinct, crystalline work explores playful reduction and rhythmic abstraction, aiming to create singular resonances and aesthetic connections. His meditative style of piano playing allows shimmering rhizomatic structures to emerge, giving rise to tense narrative arcs. Loher expands his sound spectrum by preparing the piano, using effect pedals, and working with a tape recorder.
 
Loher’s new album Figuren (Präsens Editionen) is an album shaped by intuition, experimentation, and a deliberate distance from his primary instrument — the piano. Reworking intimate concert recordings made during a residency, Loher deconstructed selected melodies, tones, and resonances into new forms, transforming them further through tape manipulation. 
© PR

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music: 

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'. 

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

© PR
© PR

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.