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»For me, music is a secret safe place. It is a refuge from society, from who you're expected to be, and from the idea of belonging. It is a space where you're free from conflict and dualistic ways of thinking. It is a place to feel the world without needing to understand it.«

Masaya Ozaki is a composer born in Niigata, Japan. His work is deeply influenced by the transient nature of space and the subtleties of sound within physical environments.  Ozaki views sound not just as a medium, but as a form deeply intertwined with the spaces it inhabits, something that he explores extensively in site-specific projects like Echoes, which involved live performances inside a lighthouse. 

Ozaki’s latest album, Mizukara (2024), is a reflection of his personal and artistic journey, primarily shaped by his experiences in Iceland. The album embraces minimalism and introspection, incorporating field recordings, sparse instrumentals, and the textures of the Icelandic landscape to explore the fluid relationship between self and environment. In recent interviews, he emphasized his shift from purely sound-based compositions to ones that deeply consider the environment and space. His relocation to Iceland has profoundly influenced his work, encouraging him to further merge the boundaries between music, nature, and architecture.  He is also a member of the Reykjavík-based emo anime doom metal band MC Myasnoi.

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»Music has been a healing balm for me.«

John William Grant is an American singer, musician, and songwriter holding both American and Icelandic citizenship. He first came to prominence as a co-founder, lead vocalist, pianist, and primary songwriter of the alternative rock band The Czars. After releasing six albums between 1994 and 2006, the band disbanded, and Grant withdrew from music for four years before embarking on a solo career.

He returned in April 2010 with a critically acclaimed debut album recorded in collaboration with Midlake. Queen of Denmark was named Album of the Year 2010 by Mojo magazine and was also selected as one of the ten best albums of 2010 by The Guardian’s music critics and writers.