I Ida Bach Jensens dokumentarfilm byder hun indenfor i troldmandens værksted hos tre komponister, som hver især forsøger at sætte fyldestgørende ord på noget, der ellers rækker ud over det sprogligt forståelige: det musiskes frembringelse. Anmeldelse af Jacob Eriksen.

The most fascinating thing with Piano Concerto is how the classical genre of the concerto creates the frame, not just for a new piece, but also for our audio-visual reality.

Through a reading of four works, this article explores how Simon Steen-Andersen the visual as a communicating and concrete compositional material.

Simon Steen-Andersen presents a thoroughly intellectual approach, but he also makes room for the quiet and the fragile. He can call attention to echoes of dust and breath.

Repetition is never just the same thing twice. In the works of Simon Steen-Andersen repetition only appears due to a complex interplay with the unrepeatable.

A conversation with Simon Steen-Andersen about living in Berlin; the German cultural tradition; the music's potential and expansion; and about presence and precision.