Ragnhild May

  • review
    08.10

    Here, Music Is Allowed to Go Wrong

    © Laura Cecilie Krogtoft / Festival of Endless Gratitude
    Festival of Endless Gratitude is less a parade of finished works than a living laboratory where musicians are given the freedom to experiment – and to fail.
    By Kristoffer Møllegaard
  • reportage
    17.12

    The Anatomy of the Organ

    It has become a cherished December tradition that Koncertkirken opens its doors to curious explorations of the nature of the organ when the Organ Sound Art Festival moves in. This year the festival could celebrate its 10th anniversary, and the fascination with the organ’s many paradoxes remains intact.
    By Rasmus Steffensen
  • review
    15.08.2025

    Walking Blind

    At its best, the ambitious sound art walk »Witness Stand« at Refshaleøen pierces right into Copenhagen’s gentrification of the old industrial area. But does it realise that it is itself part of the problem?
    By Sune Anderberg
  • review
    01.06.2025

    Spor Festival at Twenty: the Eternal Play of Sound

    From giant flutes to performative rituals – the anniversary edition of the Aarhus-based festival unfolded the materiality of sound and musical collaboration in new forms.
    By Birgitte Stougaard Pedersen
  • essay
    29.11.2024

    2024: An Earful of Chaos 

    Barents Spektakel. © Nima Taheri
    Chaotic times call for chaotic music. But also soft techno, flutists and yoga balls. Jennifer Gersten and Andreo Michaelo Mielczarek wrap up the musical year in a conversation between New York and Aarhus.
    By Jennifer Gersten & Andreo Michaelo Mielczarek
  • essay
    10.02.2022

    Gender, climate and class

    © Lou Mouw
    Sounding Women's Work | Artist couple Ragnhild May and Kristoffer Raasted conceive their common practices flexibly – it is of importance to them that well-established individual practices provide the starting point for the collaborative endeavor. 
    By Ragnhild May & Kristoffer Raasted