Struer Tracks showed that even municipal branding can open new worlds when sound art gets involved – from glitching rat voices in the basement of the music school to subwoofers that shook the harbor.

The essay probes poetics and the politics of a life-affirming operation in which Ukrainians have been self-engaged to resist subjugation and assimilation under Russian colonialism.

This article researches the role of the Human body in the production of sound art in the exhibition space. It focuses on the spatial path between body and sound in the exhibition space of sound art.

This audio paper explores the »acoustic territory« (Labelle, 2010) of Peckham Rye Lane through my sonic journey as a Peckham resident, practitioner, and researcher.

In this audio essay we interrogate the autoethnographic in soundscapes by engaging with the narratological nature of field recordings in their ability to convey not only affect but also memory, history, and context.

Jan Stricker anmelder udstillingen 'The Embassy Reconstructed', der indgik i Transmediale-festivalens program. Her udstillede seks nordiske kunstnere under den fælles præmis, at fortolke et internationalt politisk rum igennem lyden som medium.