ny musik
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interview29.11.2023
Side entrance to the New Music Scene
Slowly the idea of universality is dissolving, experimental music exists everywhere and in every genre – Abbasi, Eizirik and Sanchéz-Chiong in conversation. -
review24.09.2023
This book asks you to breathe and resonate without words
Salomé Voegelin’s book about our uncurating sound is her most personal and also most difficult to read – however, succeeding with her project, despite almost all odds. -
interview27.08.2022
»I would very much like to survive, thanks in advance«
Two years ago, James Black began writing an article series on religion in the Danish composer scene. Getting more and more angry, Black finally had to give up. Why? -
interview23.08.2022
Oil, Opera and the history that haunts us
Niels Rønsholdt's new work, »The Last Rites«, is a pessimistic satire on human nature. The opera takes place in Østerbro Ice Skating Rink, so the audience can feel the cold mechanics of desire and the growing chaos on our planet. Do we really need winter all year round? -
essay10.02.2022
»Had I run around with the others, would I have become a composer at all?«
Sounding Women's Work | Mette Nielsen is occupied finding ways to create space for the small and fragile sounds in the music. She works with both completely traditional scores and more open notations and easy staging of sound. -
essay10.02.2022
Gender, climate and class
Sounding Women's Work | Artist couple Ragnhild May and Kristoffer Raasted conceive their common practices flexibly – it is of importance to them that well-established individual practices provide the starting point for the collaborative endeavor.