Digitalization was influential on AUT coming into the new millennium. Hjarne Fessel on a paradoxical atmosphere of openness and seclusion.

AUT was trying to find its own identity compared to NUMUS and the conservatory. Hjarne Fessel remembers the period as a time with a strong faith in the future.

Erling Kullberg on the first ten years of AUT, a time when the Danish scene for new music was noticeably decentralized – not least due to some assiduous musicians.

Martin Stauning debuterer som komponist fra DKDM den 5. oktober, og i den anledning interviewer Peter Bruun sin unge kollega.

Forestillingen om en nordisk musik lever videre i kunsten. Nikolaj Strands anmelder Sunleif Rasmussens 2. symfoni, 'The Earth Anew'.

Andreas Engström with a review of this year's Young Nordic Music Days in Aarhus, Denmark.