Current Resonance turned the idea of work inside out in an absurd, sweat-drenched performance that pulled the audience into a hard-pumped ritual of labour.

Damon Albarn’s Mozart spin-off »The Magic Flute II« is replete with synths and spectacle, but does it truly capture opera’s essence – or merely its aesthetics?

Young Nordic Music (UNM) celebrates its 70th anniversary. Sune Anderberg writes.