Bent Sørensen’s music may be pointing in a new, less fatalistic direction, he tells Andrew Mellor a few weeks before receiving the 2018 Grawemeyer Award.

In Bára Gísladóttir’s view, the apocalypse is a given. James Black goes bowling with the captivatingly introvert, yet apocalyptic, Icelandic composer/performer.

A conversation with Simon Steen-Andersen about living in Berlin; the German cultural tradition; the music's potential and expansion; and about presence and precision.

Kaj Duncan David’s music has always been intimately linked with software and machines. His next major work deals with artificial intelligence.

James Black goes climbing with Marcela Lucatelli in this first of three interviews with young composer/performers.

A composers method for eliminating the distance between himself and his music.

On the new album by Frisk Frugt, Den Europæiske Spejlbue, composer Anders Lauge Meldgaard's coloristic thoughts have returned home from under the African sky, and he has turned his nomad imagination toward a more European musical tradition. Bjarke Porsmose spoke to him on a day in October when the birds were still singing outside.

Ragnhild May works in a chameleon-like way. James Black takes her to yoga class in this final interview with young ‘composer/performers’.

His debut concert only a few weeks away – both a blessing and a ‘fucking nightmare’ – Copenhagen-based composer James Black talks to Andrew Mellor.

This article states that the Composer is no more a relevant element of Art.