»Music for me is many, often contradictory, things. Here's a few ways I think about it. 1. An opportunity to reframe our attention to our everyday existence, particularly in the way we listen. 2. A contemplative space that can be an escape from reality and a means to engage the senses in a unique way 3. A way to directly relate to and reflect on the world around us 4. A specific set of approaches to the organisation of time 5. An attitude that embraces non-semantic methods of communication 6. Wiggly vibrations of air 7. A meeting place 8. Anything that labels itself as music 9. A collection of histories that are constantly self-reflexively generating new expressive potentials.«

Matthew Grousse is a composer, performer and organiser, originally from Yorkshire (UK), currently living and working in Copenhagen (DK). I often work in interdisciplinary settings between music for instruments and voices; electronic sound; text; video; and performance. My music regularly engages with a re-contextualisation of everyday sounds, objects, and automatic social behaviours to reveal the latently musical in the banal. Recent focusses include: audience participation; music-theatre; collaborative creation; and documentary approaches to composition. 

I am a co-director of composer-performer group Current Resonance, regularly contributing to meticulously curated intermedial events. Working voluntarily to strengthen opportunities for young composers/sound artists, I have been the chairperson of Aarhus Unge Tonekunstnere and the treasurer of Ung Nordisk Musik (DK) since 2023. I debuted as a composer from Det Jyske Musikkonservatorium in February 2024 with the evening-length music-theatre work Call to this number are being diverted.