Anjeline de Dios

From Manila, Philippines, Anjeline de Dios is a cultural geographer and sound artist working at the intersection of sound, space, and identity. She obtained her PhD in Geography from the National University of Singapore and publishes research on labor migration and race in the creative industries. Parallel to this, de Dios' art practice focuses on improvisation, chants, and trance states to critically explore contemporary healing in contexts of performance, service, and collaboration.

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Codex Quetzalecatzin. © Courtesy of Geography and Map Division, Library of Congress
artikel

Thinking decolonially towards music’s institution: A post-conference reflection

How do we talk about musical colonisation? How do we talk about this work of talking about it; that is, interrogating what we mean by colonisation and its counter-logic of decolonisation or decoloniality?

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Anjeline de Dios, Phil Dodds , Sanne Krogh Groth, Xenia Benivolski, Hild Borchgrevink, Nils Bubandt, Yurii Chekan , Maria Rijo Lopes Da Cunha , Brandon Farnsworth, Rosanna Lovell , Caryl Mann, Ania Mauruschat, Ucee-Uchenna L. Nwachukwu, Ellen Marie Bråthen Steen, Yiren Zhao
8. december 2023