Louise K Wilson … Abstract This paper explores the complex imaginary and material formation of the sound-word »ping«. A most ubiquitous and generic yet heterogenous sound, it is as much audible in remote marine environments and laboratories as it is in …
Olya Zikrata … Abstract The essay probes poetics and the politics of a life-affirming operation in which Ukrainians have been self-engaged to resist subjugation and assimilation under Russian colonialism. It leads through the scene of historical and …
Noa Grønhøj … Jakob Kjær Bødker … Introduction The sound of the people gathered in Kongens Have in Odense, Denmark, May 20th, 2020, is a jumble of noisy woodwinds, homemade percussion and the sharp, high pitch noise of small plastic whistles. Recognizable …
Andromachi Vrakatseli … Abstract This article researches the role of the Human body in the production of sound art. It focuses on the spatial path between body and sound in the exhibition space of sound art. This path is described by Barry Truax (1999) as …
Vadim Keylin … Abstract The article analyses the genre of listening scores – texts written in a natural language that provide the readers with instructions to listen in a certain way or to a certain kind of sounds. Belonging to the broader category of …
Marie Koldkjær Højlund … Anne-Sofie Udsen … Abstract In September 2020 pop-artist Kh Marie (one of the authors) performed the sensory concert intet er nok (nothing is enough) in Aarhus, Denmark. The concert invited the audience into a concert experience …
Thomas Husted Kirkegaard … Abstract How come women composers are still so inadequately represented in historical canons and museum exhibitions? With a focus on historical Danish women composers and from the perspective of the Danish Music Museum, I argue …
Katrine Wallevik … Abstract This article gives anthropological insight into how gender/ing practices mattered in P3´s organization of music production in the mid 2010s. Through field reports and interviews with actors in the field the article reports from …
Alisa Yuko Bernhard … Abstract This paper aims to posit performers and performance (within the Western Art Music tradition) as a source of knowledge in a reconsideration of the musical work’s ontology. I argue that performance, when involving precomposed …
Inja Stanović … Adam Stanović … Abstract This article introduces the practice of historically-informed recording. It starts by offering a brief definition of this practice before providing an outline of a working method used to produce …