Henrik Marstal … Frygten for at være nødt til at tage et fuldkommen ligegyldigt, ja, meningsløst, job for at kunne betale huslejen har altid siddet dybt i mig. Og jeg har altid haft stor medfølelse med de mennesker, der var tvunget til det. Et job i et …
Thomas Bøgevald Bjørnsten … »Jeg mener, at vi lige nu befinder os i en tid præget af ‘emotional hacking’ og manipulation! Vi er grundlæggende utroligt bange for at blive følelsesmæssigt manipuleret og meget skeptiske, hvis vi mistænker nogle for at ville …
Olya Zikrata … Abstract The essay probes poetics and the politics of a life-affirming operation in which Ukrainians have been self-engaged to resist subjugation and assimilation under Russian colonialism. It leads through the scene of historical and …
Teitur …
Pernille Andersen …
Sune Anderberg … Årslister er en illusion, det siger sig selv. Som fuldtidskritiker hørte jeg i 2023 mere musik end de fleste, et par tusind album, velsagtens, og det er selvfølgelig rigtig flot, Sune. Det syntes Spotify Wrapped i hvert fald og roste mig …
Olya Zikrata … This audio paper narrates through the experiences and ambiences of Russian aggression to which Ukrainians relate a long history of Russia’s imperial statehood. (Plokhy, 2023) It seeks a space of ethics in which sound expresses and gives …
Noa Grønhøj … Jakob Kjær Bødker … Introduction The sound of the people gathered in Kongens Have in Odense, Denmark, May 20th, 2020, is a jumble of noisy woodwinds, homemade percussion and the sharp, high pitch noise of small plastic whistles. Recognizable …
Vita Zelenska … Abstract The sound of the slogans at the demonstrations touches the body, it is impossible to hide from. The vulnerability revealed through this touch creates immediate affective responses pointing at the limitations of sonic support and …
Andromachi Vrakatseli … Abstract This article researches the role of the Human body in the production of sound art. It focuses on the spatial path between body and sound in the exhibition space of sound art. This path is described by Barry Truax (1999) as …