review
From Coal Dust to Sound Art
Contemporary music is still alive – but often despite its own obsession with complexity and endless duration. That became clear at the festivals in Witten and Cologne.
kritik
Fra kulstøv til klangkunst
Ny musik lever stadig – men ofte trods sin egen trang til kompleksitet og endeløs varighed. Det viste festivalerne i Witten og Köln.
in brief
Ecstasy After the Party
Dreijer’s music believes in ecstasy as a gentle experience. It is music meant for dancing, yet somehow shy at the very thought of celebration
kortkritik
Ekstase uden eufori
Dreijers musik tror på ekstase som blid erfaring. Det er musik, der vil danses til, men som samtidig virker genert ved tanken om fest
kortkritik
Kunstig intelligens på autoplay
Simon Littauers AI-projekt »Slopcore« lyder måske velkendt. Det er netop pointen
in brief
Artificial Intelligence on Autoplay
Simon Littauer’s AI project »Slopcore« may sound familiar. That is precisely the point
in brief
Somewhere Between an Acid Dream and a Sound Garden
Wonderful music for drifting thought: a multicolored universe where the imagination continually discovers new pathways through a dense undergrowth of details
kortkritik
Et sted mellem syredrøm og lydhave
Vidunderlig musik, der inviterer til dagdrømmeri – et multikulørt univers, hvor fantasien hele tiden finder nye veje gennem detaljernes tætte underskov
review
In Aarhus, Music Refused to Stay in Its Lane
While the industry talked about AI and formats, it was the bodily, fragile, and defiant musical experiences that lingered at Spot 2026.
kritik
I Aarhus nægtede musikken at stå i bås
Mens branchen talte AI og formater, var det de kropslige, skrøbelige og genstridige musikoplevelser, der satte sig fast på Spot 2026.
review
In the Silence Between Voices
Marina Abramović, Miranda July and Laurie Anderson explore sound, body and absence at Nørrebro Teater – but only one work truly transforms emptiness into experience.
kritik
I stilheden mellem stemmerne
Marina Abramović, Miranda July og Laurie Anderson undersøger lyd, krop og fravær på Nørrebro Teater – men kun ét værk forvandler tomrummet til egentlig erfaring.