Ladies and gentlemen, we’re deep underground – indeed, all the way to France. A well-produced and effective piece of electronic music that invites the listener into a compelling game of whispers
Enchanting and, at times, deeply inspiring. It was a concert that, for now, refuses to loosen its grip on me
It is a successful EP with a clear sense of purpose: the strong textual foundation establishes a distinct compositional direction without digressions
Nevertheless, »Vildnis« emerges as a cohesive and engaging experience, despite the unpredictability of the experiment
But yes, you missed out. Especially on young Albert Laubel, who did exactly what you hope someone will do at this kind of concert: suddenly step forward, make a mark, and promise something for the future
TAK Ensemble once again demonstrates its remarkable sensitivity to the materiality of sound, inviting listeners to move beyond the often harsh surface of the present – and, perhaps, to breathe more freely again
Yet Barwick’s cinematic whistling and Lattimore’s harp arpeggios still found a glimmer of light within the dystopian darkness
Even the most brutal sounds in Laura Bowlers »The White Book« possessed a refined and disarming fragility
Vanessa Amara got stuck in therapeutic deep house, while Soli City arrived at Beboerhuset with an overflow of chopped-up hyperpop aesthetics and melancholic spoken-word
One wishes Squarepusher had either ventured further into the orchestral realm or trusted more in what he actually excels at, giving the electronics freer rein
Laurie Anderson and Sexmob fused slideshow, music, and political reflection in a dry, playful, and surprisingly hopeful concert at DR Koncerthuset.
»Music for Intersecting Planes« holds something far more porous and open than Malone and Bordreuil’s earlier works