
Det blev de elektroniske komponisters år
Bag de bedste udgivelser i 2023 stod som regel en elektronisk komponist. I hvert fald hvis man spørger mig, og det gjorde Seismograf i år.
Bag de bedste udgivelser i 2023 stod som regel en elektronisk komponist. I hvert fald hvis man spørger mig, og det gjorde Seismograf i år.
»De unge lydkunstnere får i disse dage meget mere klangfølsomhed frem med deres hjemmebyggede orgler i Koncertkirken, end mange musikere kan producere med en klavertangent.«
This audio paper narrates through the experiences and ambiences of Russian aggression to which Ukrainians relate a long history of Russia’s imperial statehood.
Democratic conversation and collectively improvised music have such pronounced similarities that improvisations can be discussed in terms of their democratic potentiality.
The sound of the slogans at the demonstrations touches the body, it is impossible to hide from. The vulnerability revealed through this touch creates immediate affective responses pointing at the limitations of sonic support and solidarization.
This article researches the role of the Human body in the production of sound art in the exhibition space. It focuses on the spatial path between body and sound in the exhibition space of sound art.
Operating rooms are typically noise filled environments, where polyrhythms and polyphonics of human and non-human sounds collide. In this paper the operating room soundscape is used for relational ethnographic exploration, framed in critical affect theory, and brings together insights from medical sociology and sound studies.
In the audio-paper »Fear of Weakness: Songs to Agitate the Man«, artist Morten Poulsen builds on his project »Boys Will Be…« (2022), in which he met with young cis-men to have conversations about vulnerability, intimacy and masculine norms
Following Ruiz and Vourloumis, this audio paper performance sounds a formless formation, exploring integrity and wholeness among Black and Indigenous collectives that organize via radical forms of togetherness outside state-sponsored institution
This audio paper explores the »acoustic territory« (Labelle, 2010) of Peckham Rye Lane through my sonic journey as a Peckham resident, practitioner, and researcher.
I went on an artist residency in Tokyo in 2018/19 for three months and ended up spending most of my time in karaoke boxes. I don’t remember what my actual project was but in the birthplace of karaoke, amateur singing of pop songs was all I could think of.
For over 4000 years, the Inuit in Kalaallit Nunaat, as Greenland is called in Greenlandic, have been living in an intimate relationship with nature in the Arctic. Their knowledge of how to survive under such harsh conditions has been preserved and passed on via sound through the millennia.