Goosebumps In the Courtroom: When Music Turns Into a Power Play
»Den Stærkes Ret« is one of the most intense musical experiences I have had in years.
»Den Stærkes Ret« is one of the most intense musical experiences I have had in years.
At Alice, Gintė Preisaitė and Drew McDowall showed how electronic music can be both unsettling and enveloping.
»The dancers in 'We Continue…' move between seaweed, drones and subtle beats, exploring how humanity goes on – even when nature revolts.«
Imagine if the texts had been carried by actual verses, hooks, and choruses – elements that might have turned them into true earworms.
On their second release »Kaikō«, Treen show how free improvisation can balance between independence and shared direction – carried by trust, gravity, and an organic flow.
»George Benjamin’s modern classic unfolds on the Old Stage as both a brutal love story and a musical paradox, where violent noise meets transparent silence.«
The music is brutal, relentless. But could it have been more: more in colour, beyond the duel?
»Sofie Birch and Antonina Nowacka create a sensuous acoustic space where the dream of another time is allowed to emerge.«
The idea is strong, simple, and well executed. Like the sonic version of a cartoon mirage shimmering falsely in the sharp Californian sunlight.
Like a warped, crumpled tape, melodies bubble to the surface, and the offbeat rhythms repeat with the halting tempo of a scratched LP.
In the end, it sounds like a march that has forgotten who it was written for.
Three artists shattered the table’s constraints and gave technology a body.