Caught Between Too Much and Too Little
On half of the tracks Hammerstrøm demonstrates that he is capable of creating truly beautiful music.
On half of the tracks Hammerstrøm demonstrates that he is capable of creating truly beautiful music.
This is an album as happy to shout as it is to slither.
»The small crackling beep-sounds from the satellites’ resonance also became music.«
There is something charmingly awkward about Shibuya’s pop-infused, overdramatic compositions and the android voice’s sticky kawaii factor.
Although the many contrasts made for a rather epic concert, they also left me feeling somewhat conflicted.
If I woke up in a golden bed with a crowd of strangers around me, I would love to listen to the same soundtrack as Jeppe.
How much of the original purpose can – and should – be removed from the equation for a release in album format to make sense?
»A necessary album for anyone unafraid of the dark.«
»With a few simple means, Blaume’s debut emerges as a welcome harbinger of spring.«
With repeated listens, everything begins to make sense. Sonne’s coolly understated voice is the glue that binds the entire soundscape together.
»'Dråberne 5, 7, 8, and 11' is a seductive, inspiring, and downright sumptuous experiment in which the love between the two artists can be felt in every tone.«
»Nigma Enigma« will speak to those who can relate to the spiritual and philosophical questions Miniawy raises.