Salomé Voegelin’s book about our uncurating sound is her most personal and also most difficult to read – however, succeeding with her project, despite almost all odds. 

After a long hiatus due to the covid-19 pandemic, Berlin Atonal has opened the gates of Kraftwerk to the public for the first time. As limitations to collective events endure, the new project Metabolic Rift includes, in addition to the live performances, an exhibition aiming to elicit individual experience with intense stimuli. The exposition presents a convincing curatorial approach to sound, exalting its sensorial qualities and proposing an inspiring model to work with the aural and its (im-)materiality in the context of art exhibitions.

At the Academy for Open Listening, Sofie Birch and My Lambertsen set out a new direction for the ASMR genre.

Mathias Monrad Møller showed us an exciting creative vision at his official debut concert as singer and composer – a vision overshadowing dull questions of mere skill.

Pulsar Festival 2020 took place under the shadow of Marcela Lucatelli’s ‘RGBW’. It’s time for a critical look at the systems of power.

With ‘Víddir’, a 60-minute composition of light and darkness, the Icelandic composer Bára Gísladóttir demonstrated the breadth of her imagination.