© PR

The red Husqvarna sewing machine stood centre stage, buzzing relentlessly like a tireless drummer locked in an endless blast beat. »Järnrör«, »Cyanid«, »Tramadol«, Tehran hissed between squealing guitar amplifiers and in front of videos showing idyllic Swedish roadside art and images of the many Husqvarna weapons. For behind Husqvarna’s innocent garden and household products lies an industry of death – a prism of growing up in Jönköping and an illusion of Swedish neutrality, which the Swedish-Iranian artist Tehran underscored with the concert Husqvarna The Movie.

Each track came with a new video bathed in sewing machine, guitar and growl vocals. But the song »Delam gerefteh« was more subdued, not least because Tehran leaned back in a chair, cigarette in mouth, letting the music and the video speak for themselves.

The evening’s second name, the Canadian-Iranian Saint Abdullah, spent the entire concert with a marker pen in his mouth, occasionally using it to jot down the course of the music. Saint Abdullah’s performance was like watching a radio operator adjusting a crackling signal – from birdsong to acoustic guitar, from news broadcasts to field recordings, the sampler at the centre of the table became a focal point for fragments of faith, culture and migration.

Where Tehran’s concert felt like a rehearsed, healing ritual, Saint Abdullah’s unfolded as an impulsive dialogue between a sea of sound bites. Both performances revolved around Iranian heritage. Not a heritage that necessarily needs to be understood, but one that appears as a mosaic of contradictions – and can only truly be processed in one place: in music.

© Iain Forbes

»When I search for new music, I search for sound that evokes images in my mind. It is fuel, a gateway to emotion, and my most important writing companion. When inspiration lapses, music is the tool that always jumpstarts it.«

Iain Forbes is a Scottish/Norwegian film director based in Oslo. He has studied film directing at Nordland College of Art and Film and the Norwegian Film School. His graduation film Revisited won a Student Academy Award in 2023. He has previously directed short films such as Snowman (2015) and Semper Fi (2017). His latest short After Dark won Best International Short Film at the Oscar-qualifying Foyle Film Festival in 2024

Nikolaj Nørlund. © Agnete Schlichtkrull

»Music, to me, is a companion through life, a premise, an excuse, a mystery, an explanation, a point of departure. It is old ideas, overlooked treasure chests, new angles, long concerts, doubt and conviction. It is words, tones, cracked voices, different points of departure, bass in the diaphragm, falsetto in the hair, challenges, rewards, and love.«

Nikolaj Nørlund made his solo debut with Navnløs (1996), an interpretation of poems by Michael Strunge, and released Nye Optagelser (1997) the following year, his first Danish-language singer-songwriter album. He has since worked broadly across music and poetry and is behind around 20 releases, both solo and in various band constellations. Nørlund’s projects range from collaborations with Copenhagen Phil on two orchestral albums, created together with author Naja Marie Aidt. His most recent release is the single »Englenes Park (nu ikke saa dark)«, the forerunner to the album Himlen skiftet ud, due for release at the end of November. In addition to his own work, Nørlund has, through the record label Auditorium, produced and released a number of Danish artists, including Niels Skousen, Ulige Numre, Jens Unmack, I Got You On Tape, and Martin Ryum. He was previously a member of Trains And Boats And Planes and periodically works with the English-language project Rhonda Harris. Nørlund has received a Danish Music Award (2003) and a Steppeulv (2006), both as Producer of the Year, as well as the Niels Mathiassen Cultural Award (2012).

© Mari Liis

»Music and sound for me is a language, the most present and fleeting one. It’s something that passes through your heart and becomes the past in a second. Music amplifies every emotion, love, happiness, anger, sadness a thousand times over, making me feel everything more deeply and sensitively.«

Sophia Sagaradze is a sound artist, composer, and performer from Georgia, based in Denmark. She experiments with space, multichannel electronics and audio-visual installations. Sagaradze is interested in creating works that explore the boundary between external and internal experiences of space. She holds a bachelor’s degree in classical composition from Tbilisi State Conservatory and a master’s degree in electronic composition from DIEM Royal Academy of Music, Aarhus/Aalborg. In 2022, she received the Carl Nielsen and Anne Marie Carl-Nielsen Foundation’s Talent Award in Composition. Sagaradze has performed in several countries, received commissioned works for ensembles, performed live and created audio-visual installations. She is a founder and artistic director of Aarhus Sound Association (Aarhus Lydforening), Project leader at ROSA  and a lecturer at the Royal Academy of Music, Aarhus/Aalborg.

»Like all art, music is a language for emotions, dreams, and the search for meaning—but for us it is just as crucial that music is a path to community.«

Girls in Airports is a Danish instrumental band with a palette that draws in particular on jazz, electronic music, and sounds from distant horizons. Since their debut album in 2010, they have created a sonic universe in which saxophones, synths, and pulsating grooves meet in a collective and dreamlike expression. Recently, the band has focused on artistic collaborations with, among others, Teitur and Aarhus Jazz Orchestra, and they are now on their way with a new album created in collaboration with the string trio Halvcirkel.

© @joachimdabrowski

»Music, to me, is the lifeline to the world that more than anything else creates emotional resonance and fills my head with confetti of thought.«

Steen Andersen is a cultural entrepreneur, festival manager, and writer. He is a co-founder of Lost Farm Festival and has coordinated projects such as Copenhagen and Odden Sauna Festival, the collective workspace PB43, the cultural venue BYGN 5, and Prags Have. Over the years, he has written books and articles on urban activism, entrepreneurship, and culture, including Byen bliver til and Learning from Sierra Leone together with Architects Without Borders, which won the Danish Architectural Association’s Initiative Award. He is currently based in Ukraine, where he is coordinating Lost Farm Festival’s Art Exchange Program, and has just curated the exhibition HIDE and SEEK with young Ukrainian artists in Kyiv.