in brief
27.09.2021

Lyden af religiøs søgen

Calum Builder: »Messe (You are where you need to be)«
Calum Builder. © PR
Calum Builder. © PR

Stemmer er instrumenter, instrumenter er stemmer, mørket er lys, og lyset er vemodigt på Calum Builders Messe. Messe åbner med en koral mandlig frontvokal, hvorefter dybe kontrabasser strygende indtager deres plads, akkompagneres af sfæriske saxofoner og et voksende kor. Religiøs søgen er omdrejningspunktet for værket, der er en rejse i mødet mellem menneske og guddommelighed og den klassiske musiks traditioner i konfrontation – og samspil – med moderne improvisation.

Der er kælet for de konceptuelle detaljer: Teksterne er på kirkesproget latin, og værket består af syv vokaler, syv basser, syv saxofoner og syv tracks – syv sakramenter, den syvende dag, syv dødssynder, helligåndens syv gaver? Intensitet, kontrol, improvisation og løssluppenhed tager til og aftager igen i løbet af værket, der byder på kaotiske strygere, infernoer af snak og sang, anslag på strengene, ukontrollerede blæsere, repetitiv messen og kaos, der erstattes af silencio, stilhed. Stemmerne og lydene i hovedet taler på tværs af hinanden, hiver dig i alle retninger, samles og går atter nye veje. 

Adgang til tekster på både originalsprog og oversættelse, som vi kender det fra operaen, ville fuldende Messe, som er et fremragende værk for søgende – men ikke sarte – sjæle.

© PR

»For us, music is... magic? Aside from the fact that we are huge fans of silence, the closing line of one of our upcoming singles perfectly captures our relationship with music: 

'Music feels like magic to me / A superior art form in a marketplace / Trying to find an empty space'. 

That is what it can feel like as a songwriter and performing musician. We try to hold onto an almost childlike infatuation with music, yet the art form we work in – alternative-leaning pop-rock – was created and has evolved 'in a marketplace' driven by powerful economic forces. As a romantic, that can sometimes be a bit disheartening...«

Late Runner consists of Asger Tarpgaard and Tanja Forsberg Simonsen, both formerly of the bands Superheroes and Private.

© Sam Aebi
»I think music is just the way I perceive and process the world.«
 
Raphael Loher is a pianist and composer based in Lucerne, Switzerland who combines elements of experimental electronic music, ambient, and minimalist composition. His distinct, crystalline work explores playful reduction and rhythmic abstraction, aiming to create singular resonances and aesthetic connections. His meditative style of piano playing allows shimmering rhizomatic structures to emerge, giving rise to tense narrative arcs. Loher expands his sound spectrum by preparing the piano, using effect pedals, and working with a tape recorder.
 
Loher’s new album Figuren (Präsens Editionen) is an album shaped by intuition, experimentation, and a deliberate distance from his primary instrument — the piano. Reworking intimate concert recordings made during a residency, Loher deconstructed selected melodies, tones, and resonances into new forms, transforming them further through tape manipulation. 
© PR
© PR

It was officially confirmed only recently that Icelandic avant-garde star Björk is visiting Bielsko-Biała today. After keeping it under wraps until the last moment, the organizers of the Wędrujący Festiwal (Wandering Festival) have revealed that Björk is the artist closing out the festival's grand finale.

© Kåre Viemose

»Recently, I discovered that when a couple of thousand people clap their thick gloves in minus 30 degrees, it sounds like the softest techno – a freezing space where the cold air turns into a wave of warmth, and we, in a moment of collective devotion, become one with the rhythm, one with the invisible bond that connects us in the warmth of silence. Music is not just sounds, but a vain attempt to capture the infinite, which has always been and always will be.«

Andreo Michaelo Mielczarek has been the editor-in-chief of Seismograf since 2021. He is also a music critic and cultural journalist at Kristeligt Dagblad and Århus Stiftstidende/Avisen Danmark and has over the years written to publications such as Kunsten.nu, Glissando (Poland), Neural (Italy), Raw Vision (UK), Nutida Musik (Sweden), Kunstkritikk (DK/Sweden), Iscene.dk, B.T., and Jazz Special. He is the author (together with Lars Muhl) of the book HVA' SAA! En guidet rutsjebanetur gennem Aarhus – før, nu og i fremtiden (2024) and has also contributed to the anthology on music criticism Man skal høre meget (ed. Thomas Michelsen and Claus Røllum-Larsen, 2024). He is a founder and partner in the Polish-Danish cultural organization Kultur(a), and wherever there is a piano, he will be there, eager to coax a melody from it.

© Aria Leth Schütze

»For me, music is an opportunity for transformation.«

Aria Leth Schütze is based in Copenhagen and is the creative force behind the music projects Alto Aria and Samler På Dig. They are a co-founder of the record label Rhizome and a co-editor of the music magazine Passive/Aggressive. Their practice brings together electronic and acoustic music in an exploration of transformation.