in brief
09.02.2022

Trentemøllers tryllestøv

Trentemøller: »Memoriam«

Den danske Godfather af moderne elektronisk musik er ude med et formidabelt album – alt er skrevet og produceret af ham selv og partneren Lisbet Fritze, som optræder med sin angeliske og uimodståelige vokal. Ligesom Buster Oregon Mortensen (Busters Verden, red.) kan Trentemøller noget andre ikke kan, han har nemlig lært at trylle og med magiske formularer og tryllestøv har han skabt 14 skarptslebne skæringer. 

Trentemøller mikser atter bastunge beats med svævende lethed og leger med grænserne for, hvordan han med uortodokse midler både kan skabe genklang hos et bredere publikum og samtidig dupere musiknørder verden over. Lytteren kommer med på indre rejser gennem alt fra »Glow«, der inviterer til clubbing med Autecre, »No More Kissing in the Rain«, som er en Trente-elektronisk fortolkning af indiepop a la Raveonettes samt en goth-industrial portal til den legendariske film Spawn: Nummeret »Dead or Alive«. Twin Peaks-mysticisme skinner igennem på »In the Gloaming«, imens man med »Drifting Star« drømmer sig væk i evige solnedgange. 

Memoriams eklektiske tidløshed gør, at den på ingen måder er trendy men derimod langtidsholdbar og ville fungere forrygende som soundtrack til en film, TV-serie eller spil. Der er noget til Generation X, hipsterne, Jomfru Ane Gade og kosmopolernes natteravne. Uden tvivl en udgivelse, som vil vinde indpas i mangen en vinylsamling, være baggrundstæppe på tjekkede kaffebarer og gøre sit indtog på mixerpulte i underjordiske natklubber.

© Meseguer

»To us, music is the definitive companion. As listeners, it fosters a sense of communion, bridging the gap between souls through the shared experience of sound. As creators, however, music confronts us with our own inner void, that profound solitude that nourishes the creative spirit. At the same time, it dares us to leap into the unknown to decipher the ineffable. Music anchors us to the present moment, to the 'now' shared with a live audience; yet, it also touches the eternal.«

L'arannà is an electronic folk duo. With their last project, Turmarí, the duo dives deep into the folk music traditions of the Pityusic Islands, offering – through their blend of sound exploration– a perspective on Ibiza and Formentera. Synthesizers and keyboards share the stage with traditional instruments and aesthetics inspired by the ancestral ball pagès dance. Reviving cant redoblat (a unique form of singing from these islands preserved by fewer than twenty people) the group weaves a narrative that traces the roots and lived reality of two islands that are far more than just a dreamt-of paradise. The band will be touring around Denmark and Sweden, from 27th to 31th of May, playing at venues like Turkis, Dexter, Inkonst or ALICE.

© Ana Alexandrino

»Music to me is movement, trance, transformation. The rest I won't tell you.«

Marcela Lucatelli is a vocalist and composer. Born in Brazil and based in Denmark, she has gained international recognition for her boundary-pushing performances — sensuous, politically charged, and uncompromisingly original. Described by The Wire as a composer of »scores for the limits of bodies and voice,« Lucatelli challenges conventions with her fearless vocal experimentation and bold compositions. Her works have been performed by Danish National Symphony Orchestra, Danish National Vocal Ensemble, and Neue Vocalsolisten Stuttgart. She has appeared at major festivals and venues, including Theatro Municipal de São Paulo, DR Koncerthuset, Donaueschinger Musiktage, Darmstadt Ferienkurse, IRCAM, Copenhagen Opera Festival, Ultima Festival, Borealis Festival, Copenhagen Jazz Festival, Jazzfestival Saalfelden, Cafe Oto, A L’ARME!, DMA Jazz – Danish Music Awards, WOMEX, and many more. Lucatelli's work has earned her several prestigious awards, including the Carl Nielsen and Anne Marie Carl-Nielsen Talent Prize (2019), Pelle Prize (2021), and the Danish Music Awards' 2023 Vocal Jazz Release of the Year, which shows that vocal jazz has many faces – and does not necessarily belong only to the soft end of the spectrum.

© PR

»What is music to me? Here’s a quote from Nietzsche: ‘The people dancing all seemed crazy to the people who couldn’t hear the music.’«

Salim Washington is a saxophonist, multi-instrumentalist, composer, academic, and activist from Detroit who has been highly active on the American jazz scene since the 1970s, and also in South Africa, where he became a central figure. The spirit of John Coltrane hovers over his music, which carries both spiritual and social dimensions.

© Aske Jørgensen

»Music for us is the perfect language that we love to speak. A language where it is the individual's feelings and imagination that determine what is right and wrong. Everyone can speak the language. You don't have to be able to write or understand, but just listen. Some music requires that you listen carefully and maybe hear it several times. A bit like when you talk to someone from Norway or Sweden, you also have to listen a little extra.«

DØGNKIOSK is a Danish punk rock band with roots in Silkeborg. The band consists of bassist and singer Anders Ejner, who has been active on the Danish underground scene for several decades. Musically, DØGNKIOSK moves in a field between classic Danish punk and alternative rock. In the spring of 2026, the band will release their second album, Tæt på kanten.

© Bastian Zimmermann
© Bastian Zimmermann

It is difficult to comprehend that Andreas Engström is no longer with us. Just a couple of months ago, he wrote – as he had done so many times before – with an ambitious proposal: he wanted to review a box set of twenty releases by Dror Feiler. In the same message, he mentioned plans to come to Aarhus for the recently concluded Spor Festival.