in brief
15.08.2022

Kosmopolitisk rejse gennem jødisk musik 

Equinox Chamber Music Festival: »Jewish Voices«
© Rasmus Kongsgaard
© Rasmus Kongsgaard

Siger man jødisk musik, vil mange straks få associationer til klezmer-genren, denne folkemusikalske hybrid, som voksede ud af ashkenaziske jødiske miljøer i Central- og Østeuropa, og som flittigt inddrog elementer af omkringliggende musikkulturer. 



Klezmermusikken lader sig også høre i fragmenter denne aften i Koncertkirken, hvor kammermusikfestivalen Equinox inviterer et talstærkt publikum til at udforske jødiske stemmer i kammermusik fra det 20. århundrede. Faktisk stikker vi lige tåen ind i det 21. århundrede med Osvaldo Golijov, hvis komposition »Lullaby & Doina« er skrevet i 2001. Den bygger dog videre på et tema, som han komponerede til filmen The Man Who Cried fra 2000, en vuggevise, som her udvikles til en fyrig doina, en improviseret form fra Balkan, som man også kender fra klezmer. Golijov, som er vokset op i Argentina, inddrager dog også elementer af tango. På den måde er åbningsværket emblematisk for en rejse gennem det jødiske som en musikalsk identitet, der er både kosmopolitisk og lokal, og som søger at værne om dybe traditioner, samtidig med at den hele tiden indgår i samtale med sine omgivelser. 



Den samtale kan være både diskret og højrøstet, og det velkuraterede program, som samtidig markerer afslutningen på årets festival, kommer i sandheden hele spektret rundt. Fra Erwin Schulhoffs ikonoklastiske, men også frejdigt vitale samtale med strygerkvartettens konventioner over Paul Schoenfields lovligt sentimentale omgang med klezmermusikken til Ernest Blochs mørke melodrama. Aftenens egentlige scoop er dog Yehudi Wyners Kvartet for obo og strygertrio, som tryllebinder over 25 minutter med mystiske og langsomt udfoldede motiver.  

© Paw Ager

»For me, music is about curiosity and surprises – yet it’s also something in which you can feel right at home. Music resides within us all, in a physical way that sets it apart from any other art form. To me, music is something greater than the individual – something that will always outlive the individual. The good stuff, in other words ;) « 

Kaspar Kaae is an award-winning film composer, music producer, and songwriter, known for his work with bands such as CODY and Bug Chaser. He holds a Master’s degree in film composition from SDMK.  He has previously been a guitarist in a number of bands on the Danish indie scene, such as CODY, Broken Twin, and Bug Chaser. The latter is releasing the album My First Crippled Love in November. He was born in 1983 on Bornholm, but has lived in Copenhagen and Berlin throughout his adult life.

© PR

»Music is like a black hole that sucks you in and shoots you out on the other side of the universe.«

Francesco Rista is a guitarist working across classical and electric guitar. His recordings have been reviewed by international music magazines and broadcast on BBC and RAI Radio 3. After studying at the Royal Danish Academy of Music and Lund University, he focused on studio recordings, exploring guitar repertoire from the Baroque and Romantic periods to contemporary music, as well as the instrument’s varied tonal possibilities. Rista is currently based in Iceland, where he teaches guitar, composes music, and collaborates with contemporary composers.

 

© Villads Hoffmann
© Villads Hoffmann

Percussionist and composer David Hildebrandt is honoured for his virtuosic work with new music and his efforts to push the boundaries of what rhythm can be.

David Hildebrandt is among the recipients of this year’s honorary awards from the Wilhelm Hansen Foundation. He receives DKK 200,000 in recognition of his uncompromising work with new music and multi-percussion, as well as his ability to challenge conventional ideas about rhythm.

© Thor Brødreskift
© Thor Brødreskift
The 2026 Nordic Council Music Prize goes to Norwegian composers Kristine Tjøgersen and Benedicte Maurseth for Elja, a suite for the Kronos Quartet and Hardanger fiddle.
 
Rationale
© Carsten Seidel

»Who ever said that music is ‘just’ music? To me, it is anything but that: an urge to understand and explain it all. A piece of jewelry I wear every single day. A joy that can, at times, run deep. An ever-changing imprint of millions of stitches in my heart. A longing to disappear.«

Henrik Marstal is a musician, author, and music researcher. He holds a PhD in musicology, is a senior lecturer at the Rhythmic Music Conservatory, and frequently appears in the media as an expert source on music. His areas of interest include contemporary music, such as electronic music. This winter, he will release both a new album with the pop group ibens and a book about Else Marie Pade, published by the British publishing house Bloomsbury.